LEADER 04039nam 22006855 450 001 9910733718803321 005 20230810172842.0 010 $a3-030-73383-1 024 7 $a10.1007/978-3-030-73383-4 035 $a(CKB)5090000000004673 035 $a(MiAaPQ)EBC6747457 035 $a(Au-PeEL)EBL6747457 035 $a(OCoLC)1287138457 035 $a(DE-He213)978-3-030-73383-4 035 $a(EXLCZ)995090000000004673 100 $a20211006d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCultural Revolution Manuscripts $eUnofficial Entertainment Fiction from 1970s China /$fby Lena Henningsen 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (296 pages) 225 1 $aChinese Literature and Culture in the World,$x2945-7262 311 $a3-030-73382-3 327 $aChapter 1: Introduction -- Chapter 2: The writing and rewriting of an exemplary shouchaoben: Zhang Yang?s The Second Handshake during the Cultural Revolution -- Chapter 3: Texts on travel: stability across variation and secondary authorship in espionage shouchaoben fiction -- Chapter 4: Shouchaoben as literary avant-garde: Open Love Letters and Waves -- Chapter 5: Ways of reading: Cultural Revolution reading acts -- Chapter 6: World literature and intertextuality: reading acts in shouchaoben fiction -- Chapter 7: From underground into the mainstream: shouchaoben fiction on the commercial book market -- Chapter 8: Conclusion: Shouchaoben fiction as texts in motion. 330 $aThis book investigates handwritten entertainment fiction (shouchaoben wenxue) which circulated clandestinely during the Chinese Cultural Revolution. Lena Henningsen?s analyses of exemplary stories and their variation across different manuscript copies brings to light the creativity of these readers-turned-copyists. Through copying, readers modified the stories and became secondary authors who reflected on the realities of the Cultural Revolution. Through an enquiry into actual reading practices as mapped in autobiographical accounts and into intertextual references within the stories, the book also positions manuscript fiction within the larger reading cosmos of the long 1970s. Henningsen analyzes the production, circulation and consumption of these texts, considering continuities across the alleged divide of the end of the Mao-era and the beginning of the reform period. The book further reveals how these texts achieved fruitful afterlives as re-published bestsellers or as adaptations into comic books or movies, continuing to shape the minds of their audience and the imaginations of the past. Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. 410 0$aChinese Literature and Culture in the World,$x2945-7262 606 $aOriental literature 606 $aLiterature$xHistory and criticism 606 $aChina$xHistory 606 $aCivilization$xHistory 606 $aLiterature, Modern$y20th century 606 $aAsian Literature 606 $aLiterary History 606 $aHistory of China 606 $aCultural History 606 $aTwentieth-Century Literature 615 0$aOriental literature. 615 0$aLiterature$xHistory and criticism. 615 0$aChina$xHistory. 615 0$aCivilization$xHistory. 615 0$aLiterature, Modern 615 14$aAsian Literature. 615 24$aLiterary History. 615 24$aHistory of China. 615 24$aCultural History. 615 24$aTwentieth-Century Literature. 676 $a895.13509 676 $a895.135209 700 $aHenningsen$b Lena$01370293 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910733718803321 996 $aCultural Revolution manuscripts$93398436 997 $aUNINA