LEADER 01961nam 2200421 n 450 001 996383940803316 005 20221108042527.0 035 $a(CKB)1000000000595966 035 $a(EEBO)2264215554 035 $a(UnM)99836560 035 $a(EXLCZ)991000000000595966 100 $a19900912d1585 uh | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA declaration of the causes moouing the Queene of England to giue aide to the defence of the people afflicted and oppressed in the lowe countries$b[electronic resource] 210 $aImprinted at London $cBy Christopher Barker, printer to the Queenes most excellent Maiestie$d[1585] 215 $a[4], 20, 5, [1] p 300 $aDated at end: Richmount the first of October, 1585. 300 $aPublication date from colophon. 300 $aThe first leaf is blank except for signature-mark "A.j.". 300 $a"An addition to the declaration: touching the slaunders published of her Maiestie" has separate pagination; register is continuous. 300 $aB and C outer formes are reimposed from STC 9189. 300 $aIn this edition A3r line 11 of text ends "GOD"; B2r line 7 ends "compassi-". 300 $aIdentified as STC 9188 on UMI microfilm. 300 $aReproduction of the original in the University of Chicago. Library. 330 $aeebo-0113 607 $aGreat Britain$xForeign relations$zNetherlands$vEarly works to 1800 607 $aNetherlands$xForeign relations$zGreat Britain$vEarly works to 1800 607 $aGreat Britain$xHistory$yElizabeth, 1558-1603 701 $aElizabeth$cQueen of England,$f1533-1603.$0996842 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996383940803316 996 $aA declaration of the causes moouing the Queene of England to giue aide to the defence of the people afflicted and oppressed in the lowe countries$92321015 997 $aUNISA LEADER 04654nam 22007335 450 001 9910731485203321 005 20251009074955.0 010 $a9789819903498 010 $a9819903491 024 7 $a10.1007/978-981-99-0349-8 035 $a(MiAaPQ)EBC30591722 035 $a(Au-PeEL)EBL30591722 035 $a(DE-He213)978-981-99-0349-8 035 $a(PPN)272267899 035 $a(CKB)26895855200041 035 $a(OCoLC)1382332153 035 $a(EXLCZ)9926895855200041 100 $a20230610d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSustainability Challenges in the Fashion Industry $eCivilization Crisis, Decolonization, Cultural Legacy, and Transitions /$fedited by Miguel Ángel Gardetti, Rosa Patricia Larios-Francia 205 $a1st ed. 2023. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Springer,$d2023. 215 $a1 online resource (318 pages) 225 1 $aSustainable Textiles: Production, Processing, Manufacturing & Chemistry,$x2662-7116 311 08$aPrint version: Gardetti, Miguel Ángel Sustainability Challenges in the Fashion Industry Singapore : Springer,c2023 9789819903481 327 $aIntroduction -- Retrofitting ETRO: Upholstering the robe?s design tradition through transitional spaces -- A Communal approach to Sustainable Fashion -- Towards an inclusive Fashion System -- Frankie Welch?s ?Cherokee Alphabet? Design: Cultural Appreciation or Cultural Appropriation -- Fashion and the ethnography museum - Practices of decoloniality -- Other Voices: Dynamic Tradition, Empowerment and Andean Fashion in Peru -- Cultural & Cultural Appropriation Challenges of Indigenous People in the Global Fashion Industry -- The Anatomy of One Size Fits All -- Conversations on Decoloniality and Fashion: Speaking, Listening and Collectively (Un)Learning -- Fashion and identity in virtual spaces -- Interventions in traditional clothing systems through anthropological perspective -- Foregrounding the Value of Traitional Indian Crafts: Voices from the Fringe -- Change, imitation and cosmotechnics: fashion and its political possibilities -- Telling the Indigenous Ghanaian Fashion Cosmovision: The Case of Royal Ahenema Sandals -- Artisans, Creativity, and Ethics: ?Skill Regimes? in a Mumbai Fashion Export House -- The Fashion Crossroad Method: Political and Epistemological Practices. 330 $aFashion, and the growth of fashion, are presented as the manifestation of a process of civilization, within a capitalist culture (capital understood as material possessions) that has become global and imperialist, of which - in an economic sense - the industry (or the fashion system?) functions as one of its main instruments of exploitation. And with respect to design, Arturo Escobar said: "Can design detach itself from its roots in modernist practices of unsustainability and defuturization and reorient itself towards other commitments, practices, narratives and ontological enactions? Moreover, can design be part of the toolkit for the transition to the pluriverze (i.e. a world in which many worlds can fit)?" This book presents the importance of cultural sustainability in the textiles and fashion industry, decolonizing fashion system and promotes the design for transitions. 410 0$aSustainable Textiles: Production, Processing, Manufacturing & Chemistry,$x2662-7116 606 $aSustainability 606 $aCultural property 606 $aBuilding materials 606 $aClothing and dress$xSocial aspects 606 $aHuman body in popular culture 606 $aEconomic geography 606 $aSustainability 606 $aCultural Heritage 606 $aWood, fabric, and textiles 606 $aFashion and the Body 606 $aEconomic Geography 615 0$aSustainability. 615 0$aCultural property. 615 0$aBuilding materials. 615 0$aClothing and dress$xSocial aspects. 615 0$aHuman body in popular culture. 615 0$aEconomic geography. 615 14$aSustainability. 615 24$aCultural Heritage. 615 24$aWood, fabric, and textiles. 615 24$aFashion and the Body. 615 24$aEconomic Geography. 676 $a338.47687 700 $aGardetti$b Miguel A?ngel$0916036 701 $aLarios-Francia$b Rosa Patricia$01368636 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910731485203321 996 $aSustainability Challenges in the Fashion Industry$93394529 997 $aUNINA