LEADER 04492nam 22005895 450 001 9910731473403321 005 20230808072652.0 010 $a3-031-25527-5 024 7 $a10.1007/978-3-031-25527-4 035 $a(MiAaPQ)EBC30602233 035 $a(Au-PeEL)EBL30602233 035 $a(DE-He213)978-3-031-25527-4 035 $a(CKB)27060359300041 035 $a(EXLCZ)9927060359300041 100 $a20230617d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aColeridge?s Sublime Later Prose and Recent Theory $eKristeva, Adorno, Rancière /$fby Murray J. Evans 205 $a1st ed. 2023. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (232 pages) 311 08$aPrint version: Evans, Murray J. Coleridge's Sublime Later Prose and Recent Theory Cham : Springer International Publishing AG,c2023 9783031255267 327 $a1. Introduction -- 2. Touchstones for Sublimity: Coleridge?s Lay Sermons (1816?17) and the 1818 Lectures on Literature -- 3. Sublime Boundaries of Belief and Unbelief: Coleridge?s Confessions of an Inquiring Spirit (wr. 1824) and Julia Kristeva?s This Incredible Need to Believe (2006) -- 4. Sublime Disintegration: Coleridge?s Aids to Reflection (1825) and Theodor Adorno?s Aesthetic Theory (1970) .-5. Sublime Politics: Coleridge?s On the Constitution of the Church and State (1829) and Jacques Rancière?s Aisthesis (2011) -- 6. Conclusion: The Sublime in Coleridge, Kristeva, Adorno, and Rancière. 330 $a?Murray Evans's new book provides probing readings of the role of the sublime in Coleridge's later work, including Aids to Reflection and On the Constitution of the Church and State. Evans shows how sublime instability, boundary-crossing, and excess can be found even in works that appear to defend religious and literary orthodoxies. Still further, he illuminates, and expands the relevance of, these readings by adventurous forays into major theoretical writing from the past few decades. This is a bold and stimulating contribution to scholarship on Romanticism.? ?Mark Canuel, Professor of English and Director of the Institute for the Humanities at the University of Illinois at Chicago This book explores the sublime in Samuel Taylor Coleridge?s later major prose in relation to more recent theories of the sublime. Building on the author?s previous monograph Sublime Coleridge: The Opus Maximum, this study focuses on sublime theory and discourse in Coleridge?s other major prose texts of the 1820s: Confessions of an Inquiring Spirit (wr. 1824), Aids to Reflection (1825), and On the Constitution of the Church and State (1829). This book thus ponders the constellations of aesthetics, literature, religion, and politics in the sublime theory and practice of this central Romantic author and three of his important successors: Julia Kristeva, Theodor Adorno, and Jacques Rancière. Murray J. Evans is Professor Emeritus of English at the University of Winnipeg and Retired Fellow at St John?s College, University of Manitoba, Canada. He has taught medieval literature and medievalism, Coleridge, children?s literature, ?Inklings? C.S. Lewis et al., literary history, and literary theory. He is the author of Rereading Middle English Romance (1995) and Sublime Coleridge: The Opus Maximum (Palgrave, 2012) and has also published essays on Malory and the Malory manuscript, Chaucer, Piers Plowman, Coleridge, and C.S. Lewis. 606 $aLiterature?Philosophy 606 $aPoetry 606 $aLiterature?Aesthetics 606 $aLiterature, Modern?19th century 606 $aLiterary Theory 606 $aPoetry and Poetics 606 $aLiterary Aesthetics 606 $aNineteenth-Century Literature 615 0$aLiterature?Philosophy. 615 0$aPoetry. 615 0$aLiterature?Aesthetics. 615 0$aLiterature, Modern?19th century. 615 14$aLiterary Theory. 615 24$aPoetry and Poetics. 615 24$aLiterary Aesthetics. 615 24$aNineteenth-Century Literature. 676 $a821.7 700 $aEvans$b Murray J$01368806 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910731473403321 996 $aColeridge's Sublime Later Prose and Recent Theory$93394827 997 $aUNINA