LEADER 02067nam 2200397z- 450 001 9910731427203321 005 20230911 010 $a2-493207-09-2 035 $a(CKB)5590000001071036 035 $a(PPN)271209356 035 $a(oapen)doab113521 035 $a(EXLCZ)995590000001071036 100 $a20230704c2022uuuu -u- - 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAfrobeat! Fela and the Imagined Continent$eRevised Edition 210 $aIbadan$cAfricae$d2022 215 $a1 online resource (xxi-256 p.) 225 1 $aAfricae Monographs 311 08$a978-59342-2-5 330 $aIn the seventies, as signs of decay began to show in the capitalist experiment of the newly independent African countries, a "bard of the misrule" emerged on the streets of Lagos. Often shirtless and armed with his trademark saxophone, Fela Anikulapo Kuti tore his way into popular culture with Afrobeat music. Blending ethno-traditional forms with the reigning highlife and jazz rhythms, Afrobeat drew lyrics from the flip side of neo-colonial society and Fela's London and American experience in the sixties. In the two decades that followed, Fela ruled the nights from Afrika Shrine, his signature night club, and the days from the turntables of the restless city dwellers along the Atlantic coastline. Fela's Afrobeat became a dynamic mode of expression in the social history of post-independent West Africa and generated a counterculture that bonded through music, drugs, resistance politics-and ultimately, the nascence of an Afrocentric contemporary global culture. 606 $aAfrican history$2bicssc 606 $aLiterary studies: general$2bicssc 610 $aactivism 610 $aAfrican music 610 $aAfrobeat 610 $aNigeria 615 7$aAfrican history 615 7$aLiterary studies: general 906 $aBOOK 912 $a9910731427203321 996 $aAfrobeat! Fela and the Imagined Continent$93396929 997 $aUNINA