LEADER 00840cam0-22003011i-450- 001 990002608460403321 005 20060411110819.0 035 $a000260846 035 $aFED01000260846 035 $a(Aleph)000260846FED01 035 $a000260846 100 $a20030910d1964----km-y0itay50------ba 101 0 $aeng 102 $aUS$bGB 105 $ay-------001yy 200 1 $aManagement. Organization and practice$fF. G. Moore 210 $aNew York ; London$cHarper & Row,$d1964 215 $aXIII, 625 p.$d24 cm 700 1$aMoore,$bFranklin G.$04028 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002608460403321 952 $a1-7-19-TI$b1205$fECA 952 $a1-7-52-TI$b1309$fECA 952 $a9-2-10$bS.I.$fECA 959 $aECA 996 $aManagement. Organization and practice$9434687 997 $aUNINA LEADER 03604nam 2200601 450 001 9910728654403321 005 20220127215431.0 010 $a1-4744-9523-0 010 $a1-4744-4636-1 024 7 $a10.1515/9781474446365 035 $a(CKB)4100000011804508 035 $a(StDuBDS)EDZ0002607562 035 $a(MiAaPQ)EBC6519203 035 $a(Au-PeEL)EBL6519203 035 $a(OCoLC)1243534589 035 $a(DE-B1597)616520 035 $a(DE-B1597)9781474446365 035 $a(OCoLC)1306539574 035 $a(ScCtBLL)207e084d-c183-4ff1-8fdd-e896e2daaccd 035 $a(EXLCZ)994100000011804508 100 $a20211011d2021 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 181 $2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCinematic intermediality $etheory and practice /$fedited by Kim Knowles and Marion Schmid 210 1$aEdinburgh, Scotland :$cEdinburgh University Press,$d[2021] 215 $a1 online resource (208 pages) $cillustrations 225 1 $aEdinburgh studies in film and intermediality 311 $a1-4744-4634-5 320 $aIncludes bibliographical references and index. 327 $aIntro -- Cinematic Intermediality -- Copyright -- Contents -- Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004) -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 -- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Euge?ne Green, Le Fis de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge's Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index. 330 8 $aThis edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance. 410 0$aEdinburgh studies in film and intermediality. 606 $aMotion pictures and the arts 606 $aIntermediality 606 $aMotion pictures$xCriticism and interpretation 615 0$aMotion pictures and the arts. 615 0$aIntermediality. 615 0$aMotion pictures$xCriticism and interpretation. 676 $a791.43657 700 $aKnowles$b Kim, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01368079 702 $aKnowles$b Kim$f1976- 702 $aSchmid$b Marion$f1969- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910728654403321 996 $aCinematic intermediality$93392527 997 $aUNINA LEADER 02690oam 2200565zu 450 001 9910150268003321 005 20210803235942.0 010 $a2-336-69249-X 035 $a(CKB)3780000000047634 035 $a(SSID)ssj0001622927 035 $a(PQKBManifestationID)16359498 035 $a(PQKBTitleCode)TC0001622927 035 $a(PQKBWorkID)14916488 035 $a(PQKB)10641941 035 $a(EXLCZ)993780000000047634 100 $a20160829d2014 uy 101 0 $afre 181 $ctxt 182 $cc 183 $acr 200 00$aEsthétiques de la ville : equipements et usages 210 31$a[Place of publication not identified]$cL'Harmattan$d2014 225 0 $aCollection Local & global Esthâetiques de la ville 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a2-343-02960-1 311 $a2-336-34238-3 330 8 $aLes choix d'implantation et d'inte?gration dans la cite?, en particulier d'e?quipements publics, participent a? l'esthe?tisation de l'espace public. Les pratiques, neutres ni ide?ologiquement ni politiquement, traduisent des conceptions de l'urbanisme, du fonctionnement urbain, propres aux collectivite?s et surtout a? leurs de?cideurs. L'utilite? sociale et la technicite? propre a? l'utilisation de l'e?quipement public s'effacent au profit de son inte?gration esthe?tique dans l'espace. Une transformation souvent profonde des espaces est ainsi provoque?e par ces e?volutions simultane?es des pratiques, des strate?gies et des usages. Les pre?occupations esthe?tiques, le respect d'un pseudo-projet artistique et urbain, inte?gre?s dans le discours politique, aboutissent a? multiplier les contraintes architecturales qui re?duisent la fonctionnalite? des e?quipements, or c'est cette dernie?re qui justifie l'investissement public. 606 $aPublic spaces$vCongresses 606 $aUrban beautification$vCongresses 606 $aCity planning$vCongresses 606 $aSociology, Urban$vCongresses 606 $aArchitecture$2HILCC 606 $aArt, Architecture & Applied Arts$2HILCC 608 $aConference papers and proceedings.$2fast 615 0$aPublic spaces 615 0$aUrban beautification 615 0$aCity planning 615 0$aSociology, Urban 615 7$aArchitecture 615 7$aArt, Architecture & Applied Arts 700 $aThierry Côme$01078298 702 $aRouet$b Gilles 702 $aRouet$b Gilles 702 $aCãome$b Thierry 702 $aCôme$b Thierry 801 0$bPQKB 906 $aBOOK 912 $a9910150268003321 996 $aEsthétiques de la ville : equipements et usages$92590233 997 $aUNINA