LEADER 02975nam 22004573 450 001 9910727267703321 005 20240404161453.0 010 $a3-0343-4691-3 035 $a(CKB)5720000000222209 035 $a(MiAaPQ)EBC30686126 035 $a(Au-PeEL)EBL30686126 035 $a(NjHacI)995720000000222209 035 $a(EXLCZ)995720000000222209 100 $a20230911d2011 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aHow Musical Rhythm Reveals Human Attitudes $eAn Annotated Translation by Nigel Nettheim 205 $aFirst edition. 210 1$aBern :$cPeter Lang AG International Academic Publishers,$d2011. 210 4$d©2011. 215 $a1 online resource (341 pages) 225 1 $aVaria Musicologica Series ;$vv.16. 311 $a3-0343-0308-4 320 $aIncludes bibliographical references. 327 $aCover -- Title -- Copyright -- Table of Contents -- Preface by the Translator -- An English Translation of Becking's Book -- Foreword -- Table of Contents -- Introduction -- Chapter I Personal Constants and Typology of Attitudes -- Chapter II National Attitudes and Views of Life -- Chapter III Historical Types. Periods of German Music History from Schütz to Wagner -- Table of Beating Figures ["Becking Curves"] for Chapter III -- Appendices -- A Annotations -- B The Origin and Reception of Becking's Book -- C Some Details of the Translation -- D Some Details of the Musical Examples -- E Additional Musical Examples -- F List of Paragraph Summaries -- Indices -- Composers of Musical Examples -- Tables -- Graphs of Beating Figures -- Names and Subjects. 330 $aWhat is the broadest significance of musical rhythm? Human attitudes to the world are reflected in it, according to Gustav Becking. Writing in the 1920s, Becking proposed a novel method of finding systematic differences of attitude between individual composers, between nations, and between historical time periods. He dealt throughout with Western classical music, from the period approximately 1600-1900. His method was to observe in fine detail the pattern of motion and pressure traced out by a small baton allowed to move in sympathy with a given musical excerpt. The various patterns arising for individual composers were represented graphically, and in that form became known as «Becking curves». Implications were touched upon in psychology, sociology and philosophy. His thesis is now published in English translation from the original German for the first time, with many annotations. 410 0$aVaria Musicologica Series 606 $aArt$vPoetry 615 0$aArt 676 $a781/.1 702 $aNettheim$b Nigel$f1940- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910727267703321 996 $aHow Musical Rhythm Reveals Human Attitudes$93553114 997 $aUNINA