LEADER 04236nam 22006615 450 001 9910725093403321 005 20230515133357.0 010 $a9783031272387$b(electronic bk.) 010 $z9783031272370 024 7 $a10.1007/978-3-031-27238-7 035 $a(MiAaPQ)EBC30545052 035 $a(Au-PeEL)EBL30545052 035 $a(OCoLC)1379438088 035 $a(OCoLC)1380465650 035 $a(DE-He213)978-3-031-27238-7 035 $a(BIP)087962713 035 $a(EXLCZ)9926707051700041 100 $a20230515d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aConnecting the Holocaust and the Nakba Through Photograph-based Storytelling$b[electronic resource] $eWilling the Impossible /$fby Nawal Musleh-Motut 205 $a1st ed. 2023. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (331 pages) 311 08$aPrint version: Musleh-Motut, Nawal Connecting the Holocaust and the Nakba Through Photograph-Based Storytelling Cham : Springer International Publishing AG,c2023 9783031272370 327 $aPart I The Task in Hand & A Challenge Accepted -- 1. Introduction -- 2. An Impossible Yet Necessary Task -- 3. Willing the Impossible Through Storytelling & Photography -- Part II Nostalgia, Continuous Hauntings & Melancholic Resilience -- 4. Nick -- 5. Haifa Staiti -- 6. Amanda Qumsieh -- Part III Re-Education, Co-Memory & Melancholia -- 7. Ran Vered -- 8. Itai Erdal -- 9. Ofira Roll -- Part IV Willing The Impossible In The Contemporary Moment & Beyond -- 10. The Complete Consort Dancing Together Contrapuntally -- 11. Willing the Impossible in the Contemporary Moment -- 12. Reflections on an Intentionally Utopian Ethnographic Project. 330 $aThis unprecedented ethnographic study introduces a unique photography-based storytelling method that brings together everyday Palestinians and Israelis to begin connecting rather than comparing their distinct yet organically connected histories of suffering and exile resulting from the Holocaust and the Nakba. Working with Palestinians and Israelis living in their respective Canadian diasporas who are of the Holocaust and Nakba postmemory generations?those who did not experience these traumas but are nonetheless haunted by them?this study demonstrates that storytelling and photography enable the occasions and conditions of possibility necessary for willing the impossible. That is, by narrating and then exchanging their (post)memories of the Holocaust and/or the Nakba through associated vernacular photographs, project participants were able to connect rather than compare their histories of suffering and exile; take moral, ethical, and political responsibility for one another; and imagine new forms of cohabitation grounded in justice and equitable rights for all. Nawal Musleh-Motut is a Postdoctoral Fellow in Social Justice and Decolonization with Transforming Inquiry into Learning and Teaching (TILT) and a Term Lecturer in the School of Communication, both at Simon Fraser University (SFU) in Burnaby, British Columbia, Canada. 606 $aEthnology 606 $aMiddle East?History 606 $aEmigration and immigration 606 $aAnthropology?Research 606 $aEthnography 606 $aHistory of the Middle East 606 $aDiaspora Studies 606 $aResearch Methods in Anthropology 606 $aHuman Migration 610 $aWorld History 610 $aHistory 615 0$aEthnology. 615 0$aMiddle East?History. 615 0$aEmigration and immigration. 615 0$aAnthropology?Research. 615 14$aEthnography. 615 24$aHistory of the Middle East. 615 24$aDiaspora Studies. 615 24$aResearch Methods in Anthropology. 615 24$aHuman Migration. 676 $a940.5318 700 $aMusleh-Motut$b Nawal$01358193 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910725093403321 996 $aConnecting the Holocaust and the Nakba Through Photograph-Based Storytelling$93366971 997 $aUNINA