LEADER 03380 am 2200853 n 450 001 9910214920003321 005 20170126 010 $a2-86906-474-8 024 7 $a10.4000/books.pufr.4359 035 $a(CKB)3710000001633566 035 $a(FrMaCLE)OB-pufr-4359 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/50676 035 $a(PPN)20267309X 035 $a(EXLCZ)993710000001633566 100 $a20170601j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIrlande Vision(s) / Révision(s) /$fMartine Pelletier 210 $aTours $cPresses universitaires François-Rabelais$d2017 215 $a1 online resource (202 p.) 330 $aLe thème retenu pour ces deux journées d'études, "Vision (s)/Révision (s)", a fourni aux participants matière à réflexion dans des domaines variés comme en atteste la diversité des textes ici réunis: fiction, poésie, théâtre, cinéma, histoire plus ou moins récente. La tension entre les deux termes, confirmée par la présence insistante du pluriel amène à s'interroger sur une dynamique, un dialogue, parfois douloureux ou convenu mais souvent fécond entre passé et présent, entre tradition et originalité. Pour échapper au piège du ressassement stérile, ou de la fossilisation nés d'un respect excessif du "devoir de mémoire" il importe de préserver la possibilité de se libérer créativement des visions héritées du passé, qu'elles soient historiques ou littéraires; l'artiste et la société révisent leur "textes sacrés", négocient, s'adaptent, évoluent, bon gré mal gré... 517 $aIrlande Vision 606 $aLiterature, British Isles 606 $aCultural studies 606 $arévision 606 $aIrlande 606 $afiction 606 $athéâtre 606 $apoésie 606 $acinéma 606 $ahistoire 610 $apoésie 610 $ahistoire 610 $arévision 610 $afiction 610 $acinéma 610 $athéâtre 610 $aIrlande 615 4$aLiterature, British Isles 615 4$aCultural studies 615 4$arévision 615 4$aIrlande 615 4$afiction 615 4$athéâtre 615 4$apoésie 615 4$acinéma 615 4$ahistoire 700 $aCardin$b Bertrand$0967807 701 $aConsidère-Charon$b Marie-Claire$01284836 701 $aDeutsch$b Richard$01284837 701 $aDumay$b Emile-Jean$0168892 701 $aGoldring$b Maurice$0250344 701 $aHutchinson$b Wesley$0967806 701 $aLogez-Carpentier$b Godeleine$01284838 701 $aLongley$b Edna$01284839 701 $aLongley$b Michael$0168675 701 $aMartin$b Taffy$01284840 701 $aMikowski$b Sylvie$0884374 701 $aMoulin$b Joanny$01090278 701 $aNeville$b Grace$01284841 701 $aPelletier$b Martine$01284842 701 $aRíordáin$b Clíona Ní$01225771 701 $aRomer$b Stephen$01284843 701 $aSerpolay$b Rémy$01284844 701 $aTóibín$b Colm$0528138 701 $aPelletier$b Martine$01284842 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910214920003321 996 $aIrlande Vision(s)$93019456 997 $aUNINA LEADER 03020nam 22005775 450 001 9910725087803321 005 20251009082308.0 010 $a9783031277337$b(electronic bk.) 010 $z9783031277320 024 7 $a10.1007/978-3-031-27733-7 035 $a(MiAaPQ)EBC30545048 035 $a(Au-PeEL)EBL30545048 035 $a(OCoLC)1379478084 035 $a(OCoLC)1380359123 035 $a(DE-He213)978-3-031-27733-7 035 $a(BIP)088157243 035 $a(CKB)26707051300041 035 $a(EXLCZ)9926707051300041 100 $a20230515d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHobbes's Creativity /$fby James J. Hamilton 205 $a1st ed. 2023. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (264 pages) 311 08$aPrint version: Hamilton, James J. Hobbes's Creativity Cham : Palgrave Macmillan,c2023 9783031277320 327 $a1 The Psychology of Creativity and Hobbes -- 2 Hobbes?s Development, Personality, and Motivation -- 3 Cognition and the Passions -- 4 Moral Relativity and the Sovereign -- 5 The State of Nature -- 6 The Civil State and Popular Sovereignty -- 7 Hobbes?s Creative Virtuosity. 330 $aThis book approaches Hobbes's philosophy from a completely new perspective: his creativity. Creativity is the production of something which experts consider to be original, valuable and of high quality. James Hamilton explores Hobbes's creativity by focusing on his development, personality, and motivation in the context of his culture and environment, and on the ways in which he thought creatively, as inferred from his writings. Identification of the ideas which Hobbes drew upon is an important part of the study for two reasons. First, they are necessary to determine which of Hobbes's ideas and theories are original and which are not. Second, analysis of his creativity requires an understanding of the ideas from which he drew. Hamilton concludes that Hobbes became a great philosopher because of his creative virtuosity. James J. Hamilton served in the U.S. Foreign Service from 1979 to 2006. He received his Ph.D. in Political Science from Columbia University in 1978, and taught briefly at Purdue University, West Lafayette, IN. 606 $aPhilosophy 606 $aPolitical science 606 $aIntellectual life$xHistory 606 $aPhilosophy 606 $aPolitical Theory 606 $aIntellectual History 615 0$aPhilosophy. 615 0$aPolitical science. 615 0$aIntellectual life$xHistory. 615 14$aPhilosophy. 615 24$aPolitical Theory. 615 24$aIntellectual History. 676 $a192 700 $aHamilton$b James J$0141649 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910725087803321 996 $aHobbes's Creativity$93367520 997 $aUNINA