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010   $a9789811970375$b(electronic bk.)
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024 7 $a10.1007/978-981-19-7037-5
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035   $a(Au-PeEL)EBL30545084
035   $a(OCoLC)1379433469
035   $a(DE-He213)978-981-19-7037-5
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aFrom Stage to Screen $eThe Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks /$fby Shuang Wang
205   $a1st ed. 2023.
210  1$aSingapore :$cSpringer Nature Singapore :$cImprint: Springer,$d2023.
215   $a1 online resource (166 pages)
311 08$aPrint version: Wang, Shuang From Stage to Screen Singapore : Springer,c2023 9789811970368 
327   $aIntroduction -- Chapter 1: Musicking The Chinese Martial Arts Cinema -- Chapter 2: Hearing the Theatre Through Four Moods -- Chapter 3: The Politics of Bodily Rhythm in Raining in the Mountain -- Chapter 4: The Drum Beat and its Diegetic Contextualization in Red Cliff II -- Chapter 5: Music and Slow Motion in the Banquet -- Chapter 6: Conclusion.
330   $aChinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre. Film sound and music perform as the legitimate heirs of some of the aesthetic ideas and norms of traditional Chinese theatre. This book critically examines the history of this under-explored field of inquiry from a theoretically comparative perspective, demonstrating that the musical codes drawn from traditional theatre are a constantly changing component integral to Chinese martial arts cinema. It explores the interaction between traditional Chinese theatre and Chinese martial arts cinema in how the musical codes of the former have shaped the aesthetics of the latter uniquely. This departs from conventional existing studies that focus on ?adaptation.? The book?s historical and theoretical approach connects film, theatre and music, and re-defines the status of distinctive domains of filmic expression, grounding theatre as the pivot ? or ?hinge? ? of film aesthetics. The book proffers this unique angle of research to rethink and re-imagine film sound and audiovisual synchronisation. Primarily intended for scholars in Chinese cinema, film music, Chinese theatre and visual culture, this monograph also presents introductory and comprehensive material for undergraduate and graduate-level courses in film and media studies, film music, Chinese cinema, and Chinese theatre.
606   $aMotion pictures?Asia
606   $aMusic
606   $aTheater?History
606   $aMotion pictures
606   $aMusic?Philosophy and aesthetics
606   $aAsian Film and TV
606   $aMusic
606   $aTheatre History
606   $aFilm Theory
606   $aPhilosophy of Music
610   $aMusic
615  0$aMotion pictures?Asia.
615  0$aMusic.
615  0$aTheater?History.
615  0$aMotion pictures.
615  0$aMusic?Philosophy and aesthetics.
615 14$aAsian Film and TV.
615 24$aMusic.
615 24$aTheatre History.
615 24$aFilm Theory.
615 24$aPhilosophy of Music.
676   $a781.5420951
700   $aWang$b Shuang$01358270
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
912   $a9910725081703321
996   $aFrom Stage to Screen$93367460
997   $aUNINA