LEADER 04185nam 2200673u 450 001 9910725066403321 005 20241219211230.0 010 $a1-912685-81-7 035 $a(MiAaPQ)EBC6735559 035 $a(Au-PeEL)EBL6735559 035 $a(OCoLC)1273979370 035 $a(CKB)19410629000041 035 $a(NYHLS)99210 035 $a(EXLCZ)9919410629000041 100 $a20220603d2021|||| m|| 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aForget Photography 210 1$a[Place of publication not identified], $cGoldsmiths Press,$d2021. 215 $a1 online resource (208 pages) 300 $aArchived and cataloged by Library Stack 311 08$aPrint version: Dewdney, Andrew Forget Photography Cambridge : Goldsmiths, University London,c2021 9781912685820 327 $aMachine generated contents note:$tPart I --$g1.$tForget Photography --$g2.$tZombie Photography --$g3.$tPost-Photography --$tPart II --$g4.$tPhilosophy, Technology and Photography --$g5.$tPhotography and Modernism: A Case Study of Tate Modern and Tate Britain --$g6.$tPhotography and Heritage: A Case Study of the Victoria and Albert Museum --$tPart III --$g7.$tThe Image after Photography --$g8.$tThe Politics of the Image --$g9.$tThe Hybrid Image. 330 $a"The central paradox this book explores is that at the moment of photography's replacement by the algorithm and data flow, photographic cultures proliferate as never before. The afterlife of photography, residual as it may technically be, maintains a powerful cultural and representational hold on reality, which is important to understand in relationship to the new conditions. Forgetting photography is a strategy to reveal the redundant historicity of the photographic constellation and the cultural immobility of its epicenter. It attempts to liberate the image from these historic shackles, forged by art history and photographic theory. More important, perhaps, forgetting photography also entails rejecting the frame of reality it prescribes and delineates, and in doing so opens up other relationships between bodies, times, events, materials, memory, representation and the image. Forgetting photography attempts to develop a systematic method for revealing the limits and prescriptions of thinking with photography, which no amount of revisionism of post-photographic theory can get beyond. The world urgently needs to unthink photography and go beyond it in order to understand the present constitution of the image as well as the reality or world it shows. Forgetting photography will require a different way of organizing knowledge about the visual in culture that involves crossing different knowledges of visual culture, technologies, and mediums. It will also involve thinking differently about routine and creative labor and its knowledge practices within the institutions and organization of visual reproduction."--$cprovided by distributor. 606 $aComputational intelligence 606 $aComputer networks 606 $aPhotography, Artistic 606 $aRemote-sensing images 606 $aTransborder data flow 606 $aComputation$2fast$3(OCoLC)fst00871995 606 $aNetworks$2fast$3(OCoLC)fst00872297 606 $aPhotography$2fast$3(OCoLC)fst01061964 606 $aRemote sensing$2fast$3(OCoLC)fst01094509 606 $aTransborder Data Flows$2fast$3(OCoLC)fst01154519 608 $aDiscursive works 608 $aCritical Writing.$2fast 615 10$aComputational intelligence. 615 10$aComputer networks. 615 10$aPhotography, Artistic. 615 10$aRemote-sensing images. 615 10$aTransborder data flow. 615 17$aComputation. 615 17$aNetworks. 615 17$aPhotography. 615 17$aRemote sensing. 615 17$aTransborder Data Flows. 676 $a771 700 $aDewdney$b Andrew$01119347 712 02$aLibrary Stack (Organization), 801 0$bNYHLS 801 1$bNYHLS 852 $aNYHLS 906 $aBOOK 912 $a9910725066403321 996 $aForget photography$93374951 997 $aUNINA