LEADER 03073oam 2200457 450 001 9910725065703321 005 20230407135103.0 010 $a1-912685-65-5 035 $a(CKB)4100000011766304 035 $a(MiAaPQ)EBC6475723 035 $a(EXLCZ)994100000011766304 100 $a20210701d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBlack film British cinema II /$fEdited by Clive Nwonka and Anamik Saha 210 1$aLondon, England :$cGoldsmiths Press,$d[2021] 210 4$d©2021 215 $a1 online resource (214 pages) $cillustrations 300 $aIncludes index. 311 $a1-912685-63-9 330 8 $aBlack Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. 606 $aRace in motion pictures 606 $aMotion pictures$xSocial aspects$zGreat Britain 606 $aBlack people in motion pictures 607 $aGreat Britain$2fast 615 0$aRace in motion pictures. 615 0$aMotion pictures$xSocial aspects 615 0$aBlack people in motion pictures. 676 $a791.43652996041 702 $aSaha$b Anamik$f1977- 702 $aNwonka$b Clive 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bUtOrBLW 906 $aBOOK 912 $a9910725065703321 996 $aBlack film British cinema II$93374944 997 $aUNINA LEADER 02622nam 2200613 450 001 9910788770903321 005 20220525221551.0 024 7 $a10.31819/9783865278142 035 $a(CKB)3240000000093796 035 $a(OCoLC)870909816 035 $a(CaPaEBR)ebrary10804356 035 $a(SSID)ssj0000815711 035 $a(PQKBManifestationID)12408727 035 $a(PQKBTitleCode)TC0000815711 035 $a(PQKBWorkID)10820745 035 $a(PQKB)10073945 035 $a(MiAaPQ)EBC3216585 035 $a(DE-B1597)516678 035 $a(OCoLC)607244048 035 $a(DE-B1597)9783865278142 035 $a(MiAaPQ)EBC6352570 035 $a(Au-PeEL)EBL6352570 035 $a(OCoLC)992116358 035 $a(FlNmELB)ELB36800 035 $a(EXLCZ)993240000000093796 100 $a20220525d2006 uy 0 101 0 $aspa 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAlejo Carpentier y la cultura del surrealismo en Ame?rica Latina /$fAnke Birkenmaier 210 1$aMadrid, Spain ;$aFrankfurt am Main, Germany :$cIberoamericana :$cVervuert,$d[2006] 210 4$d©2006 215 $a1 online resource (293 p.) 225 0 $aNexos y Diferencias. Estudios de la Cultura de América Latina ;$v15 300 $aContiene i?ndice. 311 0 $a3-86527-814-0 311 0 $a84-8489-195-X 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tÍndice --$tReconocimientos --$tI. Introducción --$tII. El etnógrafo surrealista: traducción para dos --$tIII. Collège de Sociologie, Carpentier y el mito moderno --$tIV. Entre surrealismo y arte popular: los años de oro de la radio --$tV. Conclusión: Carpentier hoy --$tBibliografía --$tÍndice onomástico --$tNEXOS Y DIFERENCIAS TÍTULOS PUBLICADOS 330 $aBasándose en una investigación de autógrafos inéditos o desconocidos del autor cubano, se recrea el ambiente cultural que desemboca en la narrativa surrealista latinoamericana. Premio Iberoamericano de LASA al mejor libro sobre América Latina, 1997. 410 0$aColeccio?n nexos y diferencias Estudios culturales latinoamericanos ;$v15. 606 $aSpanish American literature$y20th century$xHistory and criticism 615 0$aSpanish American literature$xHistory and criticism. 676 $a863 700 $aBirkenmaier$b Anke$0604687 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788770903321 996 $aAlejo Carpentier y la cultura del surrealismo en América Latina$91119361 997 $aUNINA