LEADER 03014nam 2200397 450 001 9910720899203321 005 20230703204913.0 024 7 $a10.3726/b11668 035 $a(CKB)5710000000124298 035 $a(NjHacI)995710000000124298 035 $a(EXLCZ)995710000000124298 100 $a20230703d2018 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPerformance Practice of Electroacoustic Music $eThe Studio di Fonologia years /$fGerma?n Toro-Pe?rez, editor 210 1$aBern :$cPeter Lang International Academic Publishing Group,$d2018. 215 $a1 online resource (156 pages) 225 1 $aZu?rcher Musikstudien ;$vVolume 10 320 $aIncludes bibliographical references. 327 $aHistorically informed performance in electroacoustic music? The Studio di Fonologia years as a case study / GermaŽn Toro PeŽrez -- Some problems of the present-day realisation of historical electronic pieces / Ulrich Mosch -- The beginnings of the Studio di Fonologia Musicale and Bruno Maderna's Notturno / Angela Ida De Benedictis -- <>. On the ambivalent relation between sound and notation in some early electroacoustic music, and the problems of modern editions / Veniero Rizzardi -- A question of <>!? Three case studies about <> tape compositions of the 1950s (taken from the European repertoire) -- The revision of Henri Pousseur's Rimes at Tempo Reale / Kilian Schwoon -- Auctorial Tradition and Contemporary Practice: Performing Musica su due dimensioni by Bruno Maderna / GermaŽn Toro PeŽrez -- Sound direction of 1950s and 1960s tape pieces from the Studio di Fonologia / Alvise Vidolin -- Henri Posseur. Three source texts concerning Rime. 330 $aThis book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI's Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer's perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire. 410 0$aZu?rcher Musikstudien ;$vVolume 10. 517 $aPerformance Practice of Electroacoustic Music 606 $aElectronic music 615 0$aElectronic music. 676 $a789.9 702 $aToro-Pe?rez$b Germa?n 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910720899203321 996 $aPerformance Practice of Electroacoustic Music$92986970 997 $aUNINA