LEADER 02870nam 2200373 450 001 9910720527603321 005 20230703193725.0 035 $a(CKB)5710000000124352 035 $a(NjHacI)995710000000124352 035 $a(EXLCZ)995710000000124352 100 $a20230703d2020 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Political Economy of Local Cinema $eA Critical Introduction /$fedited by Anne Rajala, Daniel Lindblom, Matteo Stocchetti 210 1$aBerlin :$cPeter Lang International Academic Publishing Group,$d2020. 215 $a1 online resource (257 pages) 327 $aNotes on Contributors - Critical political economy and local cinema: An Introduction - Part 1 Local Cinema and Digitization: Distribution and Exhibition - The political economy of participatory community cinemas: CineCiutat as a standpoint of resistance - Elements of a critical political economy of local cinema in Digital Era: Lo-bal process and double aesthetic of cinema in French film exhibitors - Film distribution in Finland: Gatekeepers of local cinema - Terje Gaustad, Anne-Britt Gran, and Øyvind Torp Digitizing local cinema: Lessons on diversity from Norway - The political economy of Khaleeji cinema: Historical developments of Arab Gulf film industries - Part 2 Local Cinema and Globalization: Struggles, Survival and Sustainability - Production of Main Melody Film in Post-Socialist China: A deconstruction of Wolf Warrior 2 - In the land of Finnish Swedish cinema: A look into the political economy of local cinema in Finland - Art against the odds: The struggles, survival and success of New Zealand local cinema - Market censorship and Finnish cinema - Sustainability as a framework of analysis and a guide for policy-making: The film industry in Wellington, New Zealand. 330 $aThe globalization and digitalization of cultural markets presents formidable challenges for local cinema and storytelling. The essays in this collection address some of these challenges from the perspective of a critical political economy of local cinema. Inspiring these contributions is the effort of supporting local cinema as a form of valuable storytelling that is at risk of market-driven extinction because of the greater commercial viability of global or Hollywood cinema and national cinema. 517 $aPolitical Economy of Local Cinema 606 $aMotion picture industry$xEconomic aspects 615 0$aMotion picture industry$xEconomic aspects. 676 $a384.83 702 $aRajala$b Anne 702 $aLindblom$b Daniel 702 $aStocchetti$b Matteo 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910720527603321 996 $aThe Political Economy of Local Cinema$93086814 997 $aUNINA