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200 10$aAgainst autobiography $eAlbert Memmi and the production of theory /$fLia Nicole Brozgal
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200 14$aThe tragic paradox /$fLeonard Moss
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210  4$dİ2012
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327   $aTHE TRAGIC PARADOX; Contents; Acknowledgments; Introduction: The Languages of Paradox; Part I: The Narrative Language; 1. The Masculine Model; 2. The Tragic Female; 3. The Tragic Sequence; 4. Shakespeare's Dangerous Companion; 5. The Relevance of Hegel; Part II: The Metaphorical Language; 6. The Artistry of Flux; 7. The Logic of Dreams; Part III: The Rhetorical Language; 8. Plato's Paragon; 9. Milton's Potpourri; 10. Shakespeare's Paradox; Conclusion: The Truth of Tragedy; Notes; Two Bibliographies, 1900-2010; Index; About the Author
330   $aHow do an author's techniques establish the recurring paradox raised by the tragic genre? I have called upon the valuable arguments offered by Plato, Aristotle, Hegel, and Nietzsche to help the student and lay reader understand the operation of basic literary languages. But fiction is not philosophy. My study focuses on the narrative sequence, im-ages, and rhetorical devices that embody a dilemma envisioned by prominent tragedians in both the ancient and modern worlds. 
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606   $aParadox in literature
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