LEADER 03861nam 22006135 450 001 9910720093403321 005 20230428152526.0 010 $a9783031214257$b(electronic bk.) 010 $z9783031214240 024 7 $a10.1007/978-3-031-21425-7 035 $a(MiAaPQ)EBC7242951 035 $a(Au-PeEL)EBL7242951 035 $a(DE-He213)978-3-031-21425-7 035 $a(OCoLC)1378933979 035 $a(EXLCZ)9926540602700041 100 $a20230428d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerformance in the Field$b[electronic resource] $eInterdisciplinary Practice-as-Research /$fby David Overend 205 $a1st ed. 2023. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (200 pages) 311 08$aPrint version: Overend, David Performance in the Field Cham : Springer International Publishing AG,c2023 9783031214240 327 $aChapter 1. Introduction -- Chapter 2. Ecology -- Chapter 3. Heritage -- Chapter 4. Clubbing -- Chapter 5. Mobility -- Chapter 6. Deep Time -- Chapter 7. Conclusion./. 330 $aThis book makes a compelling case for ?performance fieldwork? as a vital new approach to interdisciplinary collaboration. Refocussing the histories and practices of field research, it shows how creative methods and artistic processes can contribute to an embodied and situated knowledge of complex landscapes and environments. The book brings together case studies of innovative research in the fields of ecology, clubbing, heritage, mobility and deep time, which took place in the United Kingdom between 2009 and 2021. These accessible and engaging field notes connect to international and intercultural contexts, with attention to alternative experiences and perspectives throughout. Together, they provide a critically informed ?toolbox? of playful and exploratory strategies for working with a diverse range of urban and rural sites ? including a river, a museum, a nightclub, a motorway and a cave. This is a timely methodology that reaches across disciplines to demonstrate how performance continually plays out ?in the field?. David Overend is an award-winning theatre director and Lecturer in Interdisciplinary Studies at the University of Edinburgh, UK. His research focuses on contemporary theatre and performance, often at the intersection with cultural geography. Previous publications include Making Routes: Journeys in Performance 2010-2020 with Laura Bissell (2021), and an edited collection, Rob Drummond Plays with Participation (2021). David has also written numerous articles for journals including Contemporary Theatre Review, New Theatre Quarterly and GeoHumanities. As well as over a decade of site-based performance practice, he has directed for many theatres, including the National Theatre of Great Britain. 606 $aSite-specific theater 606 $aPerforming arts 606 $aTheater 606 $aTheater?History 606 $aHuman geography 606 $aSite-Specific Performance 606 $aPractice-as-Research 606 $aContemporary Theatre and Performance 606 $aHuman Geography 615 0$aSite-specific theater. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aTheater?History. 615 0$aHuman geography. 615 14$aSite-Specific Performance. 615 24$aPractice-as-Research. 615 24$aContemporary Theatre and Performance. 615 24$aHuman Geography. 676 $a001.42 700 $aOverend$b David$01355146 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910720093403321 996 $aPerformance in the Field$93359242 997 $aUNINA