LEADER 01754oam 2200493M 450 001 9910716273503321 005 20200213071027.9 035 $a(CKB)5470000002519388 035 $a(OCoLC)1065744013 035 $a(OCoLC)995470000002519388 035 $a(EXLCZ)995470000002519388 100 $a20071213d1926 ua 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDisposition of moneys of legally adjudged insane of Alaska. February 24, 1926. -- Ordered to be printed 210 1$a[Washington, D.C.] :$c[U.S. Government Printing Office],$d1926. 215 $a1 online resource (2 pages) 225 1 $aSenate report / 69th Congress, 1st session. Senate ;$vno. 215 225 1 $a[United States congressional serial set ] ;$v[serial no. 8524] 300 $aBatch processed record: Metadata reviewed, not verified. Some fields updated by batch processes. 300 $aFDLP item number not assigned. 606 $aLegislative amendments 606 $aPersonal belongings 606 $aSanatoriums 606 $aGuardian and ward 606 $aMentally ill 608 $aLegislative materials.$2lcgft 615 0$aLegislative amendments. 615 0$aPersonal belongings. 615 0$aSanatoriums. 615 0$aGuardian and ward. 615 0$aMentally ill. 701 $aBayard$b Thomas F$g(Thomas Francis),$f1868-1942$pDemocrat (DE)$01386175 801 0$bWYU 801 1$bWYU 801 2$bOCLCO 801 2$bOCLCQ 906 $aBOOK 912 $a9910716273503321 996 $aDisposition of moneys of legally adjudged insane of Alaska. February 24, 1926. -- Ordered to be printed$93439212 997 $aUNINA LEADER 04251nam 2200589 450 001 9910811818003321 005 20230807210337.0 035 $a(CKB)2670000000612533 035 $a(EBL)2028935 035 $a(SSID)ssj0001535633 035 $a(PQKBManifestationID)11835755 035 $a(PQKBTitleCode)TC0001535633 035 $a(PQKBWorkID)11501760 035 $a(PQKB)10886292 035 $a(MiAaPQ)EBC2028935 035 $a(Au-PeEL)EBL2028935 035 $a(CaPaEBR)ebr11054863 035 $a(CaONFJC)MIL776892 035 $a(OCoLC)908074341 035 $a(EXLCZ)992670000000612533 100 $a20150522h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aArt chantry speaks $ea heretic's history of 20th century graphic design /$fedited by Monica Rene? Rochester ; designed by John Hubbard 210 1$aPort Townsend, Washington :$cFeral House,$d2015. 210 4$d©2015 215 $a1 online resource (265 p.) 300 $aDescription based upon print version of record. 311 $a1-62731-009-6 311 $a1-62731-013-4 327 $aContents; AUTHOR'S FOREWORD: Context Is Everything; About the Title of the Book; SECTION ONE: The Language of Design ; The Secret Brotherhood of Graphic Design ; "Design Diversity" and the Con; 20th-Century American Industrial Graphic Design ; Typography as Image; Manufactured Style: From Victoriana to Art Deco ; Modernism Is Just Another Retro Style; Graphique Moderne; God Told Me To; Cheesecake Clip; Hallmark Psychedelia; 1960's Design Reality; The Acrimonious History of the Happy Face ; The Anonymity of Manufactured Art ; Alfred E. Neuman is MAD; Help! A Genius Cluster 327 $aGrade School Indoctrination The Fine Art of Marketing Lowbrow ; A High Huh? Factor: Japanese Graphic Design ; Chaos as Design Theory; SECTION TWO: Designers and Artists; Ross F. George: Typographic Man of Mystery ; Saint Paul; Norman Rockwell and Corporate Sentimentality ; Alvin Lusting: A Nod Is as Good as a Wink to a Blind Horse ; Albert Hurter: Disney's Crazy Uncle in the Attic ; William Golden: Grans Master of Corporate Design ; A.M. Cassandre's Bazaar Surrealism ; Richard M. Powers Showed Us What Science Fiction Looks LIke ; Harry Chester, King of Monster Type 327 $aHerb Lubalin: If You Can't Design in B&W, You Can't Design Ivan Chermayeff and BJ; Robert Massin: Thinking Outside the Condom Box ; Peter Max and the Cult of Fake Psychedelia ; Cal Schenel Cleans You! Cleans & Thrills You! ; John Van Hamersveld and Los Angeles Psych ; Sister Corita Kent; Mo Lebowitz's Antique Press; Jim Phillips: Skate or Design; "Mouse"; Moscoso; Drella, Commercial Artist; Genesis P-Orridge: No Future at the Death Factory ; SECTION THREE: Tools of the Trade, Forgotten Processes, and Obsolete Objects; Linotype; The Lost Art of the Print Process; The Printer's Drill 327 $aThe Haberule Printing Cuts; Labelmaker: Punk Typography 101; Stencil Lettering as Art ; The French Curve ; Pocket Pal ; Punch Tape ; Thermography ; Niche Market Packaging ; Matchbook: A Tiny Design Canvas ; AFTERWORD: The Moist Towlette; INDEX ; ACKNOWLEDGMENTS/COLOPHON 330 $aArt Chantry: Art is a graphic designer most often associated with the logos, posters and album art he created for countless punk, grunge and rock bands and their labels. . His work has been exhibited at the Rock and Roll Hall of Fame, Museum of Modern Art, Seattle Art Museum, the Smithsonian and the Louvre Monica René Rochester: Born and raised in South Carolina before becoming a West Coast Convert in the 90's, Monica has worked and played in the music and book industries for the past 20+ years, while keeping a hand (and scissors!) in the fine arts field as a collagist. 606 $aArt$y20th century 606 $aArt, Russian$zRussia (Federation)$zSaint Petersburg$y20th century 615 0$aArt 615 0$aArt, Russian 676 $a708.745 702 $aRochester$b Monica Rene? 702 $aHubbard$b John 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811818003321 996 $aArt chantry speaks$94038967 997 $aUNINA