LEADER 01375nam 2200373 n 450 001 996390912403316 005 20221108044902.0 035 $a(CKB)1000000000659332 035 $a(EEBO)2240899143 035 $a(UnM)99857649 035 $a(EXLCZ)991000000000659332 100 $a19930517d1640 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aSalmacida spolia$b[electronic resource] $eA masque. Presented by the King and Queenes Majesties, at White-hall, on Tuesday the 21. day of Ianuary 1639 210 $aLondon $cPrinted by T[homas] H[arper] for Thomas Walkley, and are to be sold at his shop at the signe of the flying Horse neere Yorke house$d1639 [i.e. 1640] 215 $a[28] p 300 $aSigned on D4r: William Davenant. 300 $aPartly in verse. 300 $aPrinter's name from STC. 300 $aThe years are given according to Lady Day dating (Greg). 300 $aSignatures: [A]² B-D⁴. 300 $aThe first leaf is blank. 300 $aReproduction of the original in the Henry E. Huntington Library and Art Gallery. 330 $aeebo-0113 700 $aD'Avenant$b William$cSir,$f1606-1668.$0197821 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996390912403316 996 $aSalmacida spolia$92321718 997 $aUNISA LEADER 01772oam 2200505 450 001 9910711672903321 005 20181206074411.0 035 $a(CKB)5470000002485330 035 $a(OCoLC)953258914 035 $a(OCoLC)995470000002485330 035 $a(EXLCZ)995470000002485330 100 $a20160708e19841973 ua 0 101 0 $aeng 135 $aurbn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFluvial-sediment discharge to the oceans from the conterminous United States /$fby W.F. Curtis, J.K. Culbertson, and E.B. Chase 210 1$aWashington :$cUnited States Department of the Interior, Geological Survey,$d1973. 210 3$a[Washington?] :$cUnited States Department of the Interior, Geological Survey,$d1984. 215 $a1 online resource (iii, 17 pages) $cillustrations, maps 225 1 $aGeological Survey circular ;$v670 300 $a"A contribution to the International Hydrologic Decade." 320 $aIncludes bibliographical references (page 11). 606 $aSediment transport$zUnited States 606 $aSediments (Geology)$zUnited States 606 $aSediments (Geology)$2fast 607 $aUnited States$2fast 615 0$aSediment transport 615 0$aSediments (Geology) 615 7$aSediments (Geology) 700 $aCurtis$b W.F.$01415503 702 $aChase$b Edith B. 702 $aCulbertson$b J. K. 712 02$aGeological Survey (U.S.), 801 0$bCOP 801 1$bCOP 801 2$bOCLCO 801 2$bOCLCF 801 2$bOCLCA 801 2$bGPO 906 $aBOOK 912 $a9910711672903321 996 $aFluvial-sediment discharge to the oceans from the conterminous United States$93517793 997 $aUNINA LEADER 02722nam 2200613Ia 450 001 9910784499803321 005 20230422044605.0 010 $a0-8166-9030-8 010 $a0-8166-5292-9 035 $a(CKB)1000000000346944 035 $a(EBL)310475 035 $a(OCoLC)476094722 035 $a(SSID)ssj0000280255 035 $a(PQKBManifestationID)11228143 035 $a(PQKBTitleCode)TC0000280255 035 $a(PQKBWorkID)10290349 035 $a(PQKB)10413790 035 $a(MiAaPQ)EBC310475 035 $a(OCoLC)290518756 035 $a(MdBmJHUP)muse39247 035 $a(Au-PeEL)EBL310475 035 $a(CaPaEBR)ebr10151153 035 $a(CaONFJC)MIL522708 035 $a(EXLCZ)991000000000346944 100 $a19990519d1999 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHigh techn$b[electronic resource] $eart and technology from the machine aesthetic to the posthuman /$fR.L. Rutsky 210 $aMinneapolis $cUniversity of Minnesota Press$dc1999 215 $a1 online resource (204 p.) 225 1 $aElectronic mediations ;$vv. 2 300 $aDescription based upon print version of record. 311 $a0-8166-3356-8 311 $a0-8166-3355-X 320 $aIncludes bibliographical references (p. 159-185) and index. 327 $aContents; Introduction: The Question concerning High Tech; 1. The Spirit of Utopia and the Birth of the Cinematic Machine; 2. The Mediation of Technology and Gender; 3. The Avant-Garde Techne and the Myth of Functional Form; 4. Within the Space of High Tech; 5. Technological Fetishism and the Techno-Cultural Unconscious; Notes; Index 330 $aIn an age of high tech, our experience of technology has changed tremendously, yet the definition of technology has remained largely unquestioned. High Techne redresses this gap in thinking about technology, examining the shifting relations of technology, art, and culture from the beginnings of modernity to contemporary technocultures. Progressing from the major art movements of modernism to contemporary science fiction and cultural theory, Rutsky provides clear and compelling evidence of a shift in the cultural conceptions of technology and art. 410 0$aElectronic mediations ;$vv. 2. 606 $aArt and technology$xPhilosophy 606 $aTechnology$xAesthetics 615 0$aArt and technology$xPhilosophy. 615 0$aTechnology$xAesthetics. 676 $a701/.05 700 $aRutsky$b R. L$01507027 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784499803321 996 $aHigh techn$93864515 997 $aUNINA