LEADER 02307aam 2200409I 450 001 9910710796703321 005 20120906044943.0 024 8 $aGOVPUB-C13-12b3b94b311e9223bef2c5fc1c6efd2f 035 $a(CKB)5470000002478335 035 $a(OCoLC)809279002 035 $a(EXLCZ)995470000002478335 100 $a20120906d2012 ua 0 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 03$aAn exploration of the operational ramifications of lossless compression of 1000 ppi fingerprint imagery /$fShahram Orandi 210 1$aGaithersburg, MD :$cU.S. Dept. of Commerce, National Institute of Standards and Technology,$d2012. 215 $a1 online resource (52 pages) $cillustrations, tables 225 1 $aNISTIR ;$v7779 300 $aAugust 2012 300 $aContributed record: Metadata reviewed, not verified. Some fields updated by batch processes. 320 $aIncludes bibliographical references pages 41-42. 330 $aThis paper presents the findings of a study initially conducted to measure the operational impact of JPEG 2000 lossy compression on 1000 ppi fingerprint imagery at various levels of compression, but later expanded to include lossless compression. Lossless compression will have no impact on either Galton or non-Galton based features of a fingerprint since the compressed image is identical to the original once decompressed. The selection of a lossless compression algorithm can have operational implications in terms of effective compression rate and throughput; these implications are the focus. This study examines several such compression algorithms and compares them using criteria used to measure the effectiveness of the compression algorithm as well as its throughput using actual fingerprint imagery. 606 $aFingerprints 606 $aImage compression 615 0$aFingerprints. 615 0$aImage compression. 701 $aOrandi$b Shahram$01391876 712 02$aNational Institute of Standards and Technology (U.S.) 801 0$bNBS 801 1$bNBS 801 2$bGPO 906 $aBOOK 912 $a9910710796703321 996 $aAn exploration of the operational ramifications of lossless compression of 1000 ppi fingerprint imagery$93533037 997 $aUNINA LEADER 02772nam 2200469 450 001 9910811837503321 005 20220420035854.0 010 $a3-0358-0061-8 035 $a(CKB)5120000000119354 035 $a(MiAaPQ)EBC5398976 035 $a(Au-PeEL)EBL5398976 035 $a(EXLCZ)995120000000119354 100 $a20220420d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aNatura $eenvironmental aesthetics after landscape /$fedited by Jens Andermann, Lisa Blackmore, Dayron Carillo Morell 210 1$aZurich, Switzerland :$cDiaphanes,$d[2018] 210 4$dİ2018 215 $a1 online resource (297 pages) 225 1 $aThink Art 311 $a3-0358-0053-7 320 $aIncludes bibliographical references. 330 8 $aEntangled with the interconnected logics of coloniality and modernity, the landscape idea has long been a vehicle for ordering human-nature relations. Yet at the same time, it has also constituted a utopian surface onto which to project a space-time 'beyond' modernity and capitalism. Amid the advancing techno-capitalization of the living and its spatial supports in transgenic seed monopolies, fracking and deep sea drilling, biopiracy, geo-engineering, aesthetic-activist practices have offered particular kinds of insight into the epistemological, representational, and juridical framings of the natural environment. This book asks in what ways have recent bio and eco-artistic turns moved on from the subject/object ontologies of the landscape-form? Moving from botanical explorations of early modernity, through the legacies of mid-twentieth century landscape design, up to artistic experimental recodings of New World nature in the 1960s and 1970s and to present struggles for environmental rights and against the precarization of the living, the critical essays and visual contributions included in Natura attempt to push thinking past fixed landscape forms through interdisciplinary encounters that encompass analyses of architectural sites and artworks; ecocritical perspectives on literary texts; experimental place-making practices; and the creation of material and visual ecologies that recognise the agency of non-human worlds. 410 0$aThink Art 606 $aEnvironment (Aesthetics) 606 $aNature (Aesthetics) 615 0$aEnvironment (Aesthetics) 615 0$aNature (Aesthetics) 676 $a111.85 702 $aBlackmore$b Lisa 702 $aAndermann$b Jens 702 $aCarrillo Morell$b Dayron 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811837503321 996 $aNatura$9254296 997 $aUNINA