LEADER 01930nam 2200385 450 001 9910708450903321 005 20230530164236.0 010 $a1-947447-07-6 035 $a(CKB)4100000000981202 035 $a(NjHacI)994100000000981202 035 $a(EXLCZ)994100000000981202 100 $a20230530d2017 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJournal of Badiou Studies$h5$iArchitheater /$fMichael J. Kelley, Arthur Rose, Adi Efal-Lautenschla?ger 210 1$aGoleta :$cPunctum Books,$d2017. 215 $a1 online resource 311 $a1-947447-06-8 330 $aAnnotation The fifth volume of the Journal of Badiou Studies, "Architheater," energized by the publication of Badiou's Rhapsodie pour le the?a?tre (2014), knits together distinguished approaches to artistic production engaging with the work of Alain Badiou: "Engaging" here means articulated positions that include, imply, or criticize the Badiouiesque corpus. The issue does not therefore seek to implement Badiou's philosophical insights in interpretations of art or of aesthetics, but rather to take Badiou's philosophy as a center of convergence-nexus of a plethora of philosophical positions that include artistic production as a central element of their structure. Thematically, the volume limits its discussion to "a two" of architecture and theater, thinking their overlapping, juxtaposition, and respective generative capacities. 517 $aJournal of Badiou Studies 5 606 $aPhilosophy 615 0$aPhilosophy. 676 $a100 700 $aKelley$b Michael J.$0243791 702 $aEfal-Lautenschla?ger$b Adi 702 $aRose$b Arthur 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910708450903321 996 $aJournal of Badiou Studies$93375289 997 $aUNINA