LEADER 02290oam 2200625 450 001 9910706744803321 005 20180117153343.0 035 $a(CKB)5470000002458010 035 $a(OCoLC)568372020 035 $a(EXLCZ)995470000002458010 100 $a20100323d1964 ua 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArcheological investigations in the Parita and Santa Maria zones of Panama 210 1$aWashington :$cU.S. Government Printing Office,$d1964. 215 $a1 online resource (xii, 291 pages, 25 pages of plates) $cillustrations, maps 225 1 $aSmithsonian Institution Bureau of American Ethnology bulletin ;$v193 300 $aAlso issued as House document no. 136, 88th Congress, 1st session. 320 $aIncludes bibliographical references (pages 235-239) and index. 517 3 $aArchaeological investigations in the Parita and Santa Maria zones of Panama 517 1 $aParita and Santa Maria archeology 606 $aIndians of Central America$zPanama$xAntiquities 606 $aExcavations (Archaeology)$zPanama 606 $aExcavations (Archaeology)$zPanama$zHerrera (Province) 606 $aAntiquities$2fast 606 $aExcavations (Archaeology)$2fast 606 $aIndians of Central America$xAntiquities$2fast 607 $aPanama$xAntiquities 607 $aHerrera (Panama : Province)$xAntiquities 607 $aPanama$2fast 607 $aPanama$zHerrera (Province)$2fast 615 0$aIndians of Central America$xAntiquities. 615 0$aExcavations (Archaeology) 615 0$aExcavations (Archaeology) 615 7$aAntiquities. 615 7$aExcavations (Archaeology) 615 7$aIndians of Central America$xAntiquities. 700 $aLadd$b John$f1923-1971,$01395982 712 02$aSmithsonian Institution.$bBureau of American Ethnology, 801 0$bOCLCE 801 1$bOCLCE 801 2$bOCLCQ 801 2$bSFB 801 2$bOKU 801 2$bOCLCQ 801 2$bOCLCF 801 2$bOCLCQ 801 2$bGPO 906 $aBOOK 912 $a9910706744803321 996 $aArcheological investigations in the Parita and Santa Maria zones of Panama$93455321 997 $aUNINA LEADER 04896nam 2200925 450 001 9910808523103321 005 20170621115446.0 024 7 $a10.1515/9781785334542 035 $a(CKB)3710000001386853 035 $a(MiAaPQ)EBC4677007 035 $a(DE-B1597)636670 035 $a(DE-B1597)9781785334542 035 $a(EXLCZ)993710000001386853 100 $a20170705h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aCollaborative intimacies in music and dance $eanthropologies of sound and movement /$fedited by Evangelos Chrysagis and Panas Karampampas 210 1$aNew York ;$aOxford, [England] :$cBerghahn Books,$d2017. 210 4$dİ2017 215 $a1 online resource (272 pages) $cillustrations 225 1 $aDance and Performance Studies 311 $a1-78533-453-0 311 $a1-78533-454-9 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tFrontmatter -- $tContents -- $tIllustrations and Table -- $tPreface -- $tIntroduction: Collaborative Intimacies -- $tPART I Sound, Meaning and Self-Awareness -- $tChapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- $tChapter 2 Performing and Narrating Selves in and through Classical Music: Being ?Japanese? and Being a Professional Musician in London -- $tPART II Pedagogies of Bodily Movement -- $tChapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- $tChapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- $tPART III Music Practices and Ethical Selfhood -- $tChapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- $tChapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- $tPART IV Bodies Dancing in Time and across Space -- $tChapter 7 Rumba: Heritage, Tourism and the ?Authentic? Afro-Cuban Experience Heritage, Tourism and the ?Authentic? Afro-Cuban Experience -- $tChapter 8 Cinematic Dance as a Local Critical Commentary on the ?Economic Crisis? in Greece Exploring Dance in Korydallos, Attica, Greece -- $tPART V Motion, Irony and the Making of Lifeworlds -- $tChapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- $tChapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- $tIndex 330 $aAcross spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative. 410 0$aDance and performance studies. 606 $aMusic and dance 606 $aMusic$xSocial aspects 606 $aDance$xAnthropological aspects 610 $aanthropology. 610 $aartistic. 610 $aaudience. 610 $aballet. 610 $abands. 610 $acase studies. 610 $acultural attitudes. 610 $acultural studies. 610 $aculture. 610 $adance studies. 610 $adance. 610 $adancers. 610 $adrama. 610 $aeducation. 610 $aengaging. 610 $aethnographic approach. 610 $aethnographic writing. 610 $agreek goth scene. 610 $ajapanese shakuhachi. 610 $alive entertainment. 610 $amovement. 610 $amusic. 610 $amusical philosophy. 610 $amusicality. 610 $amusicians. 610 $aperformance studies. 610 $aperforming arts. 610 $aperuvian huayno. 610 $asociology. 610 $asound. 610 $atheater. 610 $atheatre. 610 $atheatrical. 610 $aworld music. 615 0$aMusic and dance. 615 0$aMusic$xSocial aspects. 615 0$aDance$xAnthropological aspects. 676 $a306.4/84 702 $aChrysagis$b Evangelos 702 $aKarampampas$b Panas 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808523103321 996 $aCollaborative intimacies in music and dance$94008190 997 $aUNINA