LEADER 03002nam 2200625 a 450 001 9910465261003321 005 20200520144314.0 010 $a0-19-509715-7 010 $a9786613113283 010 $a1-283-11328-7 010 $a0-19-976123-X 010 $a0-585-34647-X 035 $a(CKB)2560000000300260 035 $a(EBL)694016 035 $a(OCoLC)607800288 035 $a(SSID)ssj0000184294 035 $a(PQKBManifestationID)11174633 035 $a(PQKBTitleCode)TC0000184294 035 $a(PQKBWorkID)10200100 035 $a(PQKB)11017629 035 $a(StDuBDS)EDZ0000039244 035 $a(MiAaPQ)EBC694016 035 $a(Au-PeEL)EBL694016 035 $a(CaPaEBR)ebr10471773 035 $a(CaONFJC)MIL311328 035 $a(EXLCZ)992560000000300260 100 $a19960702d1996 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIsrael in Egypt$b[electronic resource] $ethe evidence for the authenticity of the Exodus tradition /$fJames K. Hoffmeier 210 $aNew York $cOxford University Press$d1996 215 $a1 online resource (281 p.) 300 $aDescription based upon print version of record. 311 $a0-19-513088-X 311 $a0-19-985340-1 320 $aIncludes bibliographical references and indexes. 327 $aCover; Contents; Abbreviations; Chronological Charts; 1 Israel's Early History in Recent Scholarship; 2 The Origins of Israel: The Current Debate; 3 Semites in Egypt: The First and Second Intermediate Periods; 4 Joseph in Egypt; 5 Israelites in Egypt; 6 Moses and the Exodus; 7 The Eastern Frontier Canal: Implications for the Exodus from Egypt; 8 The Geography and Toponymy of the Exodus; 9 The Problem of the Re(e)d Sea; 10 Concluding Remarks; Subject Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Term Index; illustrations 330 $aScholars of the Hebrew Bible have in the last decade begun to question the historical accuracy of the Israelite sojourn in Egypt, as described in the book of Exodus. The reason for the rejection of the exodus tradition is said to be the lack of historical and archaeological evidence in Egypt. Those advancing these claims, however, are not specialists in the study of Egyptian history, culture, and archaeology. In this pioneering book, James Hoffmeier examines the most current Egyptological evidence and argues that it supports the biblical record concerning Israel in Egypt. 606 $aExodus, The 606 $aEgyptian literature$xRelation to the Old Testament 608 $aElectronic books. 615 0$aExodus, The. 615 0$aEgyptian literature$xRelation to the Old Testament. 676 $a222/.12095 700 $aHoffmeier$b James Karl$f1951-$0480505 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465261003321 996 $aIsrael in Egypt$91895377 997 $aUNINA LEADER 01790nam 2200529I 450 001 9910705483103321 005 20140604135717.0 035 $a(CKB)5470000002450553 035 $a(OCoLC)880940245 035 $a(EXLCZ)995470000002450553 100 $a20140604j201401 ua 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNASA AVOSS fast-time wake prediction models $euser's guide /$fNash'at N. Ahmad and Randal L. VanValkenburg, Matthew Pruis 210 1$aHampton, Virginia :$cNational Aeronautics and Space Administration, Langley Research Center,$dJanuary 2014. 215 $a1 online resource (iv, 19 pages) $ccolor illustrations 225 1 $aNASA/TM ;$v2014-218152 300 $aTitle from title screen (viewed June 4, 2014). 300 $a"January 2014." 517 $aNASA AVOSS fast-time wake prediction models 606 $aAircraft approach spacing$2nasat 606 $aCurrent distribution$2nasat 606 $aEnergy dissipation$2nasat 606 $aModels$2nasat 606 $aMeteorology$2nasat 606 $aNASA programs$2nasat 606 $aNational Airspace System$2nasat 615 7$aAircraft approach spacing. 615 7$aCurrent distribution. 615 7$aEnergy dissipation. 615 7$aModels. 615 7$aMeteorology. 615 7$aNASA programs. 615 7$aNational Airspace System. 700 $aAhmad$b Nash'at N.$01397882 702 $aVanValkenburg$b Randal L. 702 $aPruis$b Matthew 712 02$aLangley Research Center, 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910705483103321 996 $aNASA AVOSS fast-time wake prediction models$93504390 997 $aUNINA LEADER 01753nam 2200421 450 001 9910822123503321 005 20170912084156.0 010 $a1-4985-1813-3 035 $a(CKB)3790000000544804 035 $a(MiAaPQ)EBC5215379 035 $a(EXLCZ)993790000000544804 100 $a20180205h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aImmigrant and migrant workers organizing in Canada and the United States $ecasework and campaigns in a neoliberal era /$fJorge Frozzini and Alexandra Law 210 1$aLanham, Maryland :$cLexington Books,$d2017. 210 4$dİ2017 215 $a1 online resource (173 pages) 311 $a1-4985-1812-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Interdisciplinarity: on the importance of law, communication studies and anthropology in the present work -- (I)mmigrant workers and the union movement: legal and historical -- Global precarity -- Casework as an organizing tactic -- Campaigns and strategies in the United States and Canada: examples from the literature -- Conclusion. 606 $aForeign workers$xCivil rights 606 $aForeign workers$xLabor unions$xOrganizing$zCanada$vCase studies 615 0$aForeign workers$xCivil rights. 615 0$aForeign workers$xLabor unions$xOrganizing 676 $a331.88086/9120973 700 $aFrozzini$b Jorge$01703234 702 $aLaw$b Alexandra 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910822123503321 996 $aImmigrant and migrant workers organizing in Canada and the United States$94088280 997 $aUNINA LEADER 04684nam 22006135 450 001 9910494560203321 005 20231109073540.0 010 $a9783030752095 010 $a3030752097 024 7 $a10.1007/978-3-030-75209-5 035 $a(CKB)4100000011994638 035 $a(MiAaPQ)EBC6688954 035 $a(Au-PeEL)EBL6688954 035 $a(DE-He213)978-3-030-75209-5 035 $a(EXLCZ)994100000011994638 100 $a20210731d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNation and Race in West End Revue $e1910-1930 /$fby David Linton 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (206 pages) 225 1 $aPalgrave Studies in British Musical Theatre,$x2946-4145 311 08$a9783030752088 311 08$a3030752089 320 $aIncludes bibliographical references and index. 327 $aChapter 1: Reading London West End Revue -- Chapter 2: Revue in the Modern World: Possibilities and Perils -West End Identities -- Chapter 3: New Insecurities, New Form, New Identity- National Identity and Raciologies in Eightpence a Mile (1913) -- Chapter 4: Degeneration/Regeneration - The Remaking of Nation in Wartime West End Spectacular Revue -- Chapter 5: Blackbirds in London: Black Internationalism and the Black Imaginary -- Chapter 6: Class Distinction and National Identity in 1920s West End Intimate Revue. 330 $aLondon West End revue constituted a particular response to mounting social, political, and cultural insecurities over Britain's status and position at the beginning of the twentieth century. Insecurities regarding Britain's colonial rule as exemplified in Ireland and elsewhere, were compounded by growing demands for social reform across the country - the call for women's emancipation, the growth of the labour, and the trade union movements all created a climate of mounting disillusion. Revue correlated the immediacy of this uncertain world, through a fragmented vocabulary of performance placing satire, parody, social commentary, and critique at its core and found popularity in reflecting and responding to the variations of the new lived experiences. Multidisciplinary in its creation and realisation, revue incorporated dance, music, design, theatre, and film appropriating pre-modern theatre forms, techniques, and styles such as burlesque, music hall, pantomime, minstrelsy, and pierrot. Experimenting with narrative and expressions of speech, movement, design, and sound, revue displayed ambivalent representations that reflected social and cultural negotiations of previously essentialised identities in the modern world. Part of a wide and diverse cultural space at the beginning of the twentieth century it was acknowledged both by the intellectual avant-garde and the workers theatre movement not only as a reflexive action, but also as an evolving dynamic multidisciplinary performance model, which was highly influential across British culture. Revue displaced the romanticism of musical comedy by combining a satirical listless detachment with a defiant sophistication that articulated a fading British hegemonic sensibility, a cultural expression of a fragile and changing social and political order. David Linton is a performer/theatre practitioner and senior lecturer in Drama at Kingston University, London, UK. His research explores issues of resistance, adaptation, and exchange in theatre. This focuses on participatory arts practice, black British performance and pre-modern popular theatre forms, and their contemporary applications, specifically mask/minstrelsy, pantomime, burlesque/neo burlesque, cabaret, pierrot, hip hop theatre, and revue. 410 0$aPalgrave Studies in British Musical Theatre,$x2946-4145 606 $aTheater$xHistory 606 $aTheater 606 $aPerforming arts 606 $aTheatre History 606 $aNational and Regional Theatre and Performance 606 $aTheatre and Performance Arts 615 0$aTheater$xHistory. 615 0$aTheater. 615 0$aPerforming arts. 615 14$aTheatre History. 615 24$aNational and Regional Theatre and Performance. 615 24$aTheatre and Performance Arts. 676 $a782.1409 676 $a792.60942109041 700 $aLinton$b David$f1967-$01221983 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910494560203321 996 $aNation and race in West End revue$92833876 997 $aUNINA