LEADER 01835oem 2200529I 450 001 9910704197803321 005 20151217092452.0 035 $a(CKB)5470000002437682 035 $a(OCoLC)929019815 035 $a(EXLCZ)995470000002437682 100 $a20151113d2015 za 101 0 $aeng 120 $ab|||||||||||| 121 $a||||||||| 124 $bd 135 $aurcn||||||||| 181 $ccri$2rdacontent 182 $cn$2rdamedia 183 $anb$2rdacarrier 200 10$aBathymetry and capacity of Chambers Lake, Chester County, Pennsylvania /$fby Matthew C. Gyves ; prepared in cooperation with the Chester County Water Resources Authority 210 1$a[Reston, VA] :$cU.S. Dept. of the Interior, U.S. Geological Survey,$d2015. 215 $a1 online resource (1 map) $ccolor 225 1 $aScientific investigations map ;$v3346 300 $aDepths shown by isolines, soundings, and gradient tints. 300 $aTitle from title screen (viewed on Nov. 13, 2015). 300 $aIncludes text, location maps, 1 colored diagrams, and 1 table. 320 $aIncludes bibliographical references. 606 $aLakes$zPennsylvania$zChester County$vMaps 606 $aLakes$2fast 607 $aPennsylvania$zChester County$2fast 608 $aBathymetric maps.$2lcgft 608 $aBathymetric maps.$2fast 608 $aMaps.$2fast 608 $aMaps.$2lcgft 615 0$aLakes 615 7$aLakes. 700 $aGyves$b Matthew C.$01390075 712 02$aGeological Survey (U.S.), 712 02$aChester County Water Resources Authority, 801 0$bGPO 801 1$bGPO 801 2$bOCLCF 801 2$bGPO 906 $aBOOK 912 $a9910704197803321 996 $aBathymetry and capacity of Chambers Lake, Chester County, Pennsylvania$93443920 997 $aUNINA LEADER 03703nam 22004935 450 001 9910136096403321 005 20230823004314.0 010 $a0-8047-8306-3 024 7 $a10.1515/9780804783064 035 $a(CKB)3710000000915173 035 $a(MiAaPQ)EBC5412759 035 $a(DE-B1597)563575 035 $a(DE-B1597)9780804783064 035 $a(OCoLC)1178769662 035 $a(EXLCZ)993710000000915173 100 $a20200723h20201999 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIn Praise of Nonsense $eKant and Bluebeard /$fWinfried Menninghaus 210 1$aStanford, CA : $cStanford University Press, $d[2020] 210 4$d©1999 215 $a1 online resource (274 pages) 225 0 $aMeridian: Crossing Aesthetics 311 $a0-8047-2952-2 311 $a0-8047-2951-4 327 $tFrontmatter -- $tContents -- $t1. Introduction: Nonsense, Victorian Nonsense, Romantic Nonsense -- $t2. Kant on "Nonsense," "Laughing," and "Caprice" -- $t3. The Poetics of Nonsense and the Early Romantic Theory of the Fairy Tale -- $t4. Between the Addition and Subtraction of Sense?Charles Perrault's La Barbe-Bleue -- $t5. "A Book without any Coherence"?-Ludwig Tieck's The Seven Wives of Bluebeard -- $t6. Suspensions of "Sense" in Genre Theories of the Fairy Tale -- $tNotes -- $tBibliography -- $tMERIDIAN 330 $aShells, leafwork, picture frames, hummingbirds, wallpaper decorations, hems of clothing?such are the examples Kant's Critique of Judgment offers for a "free" and purely aesthetic beauty. Menninghaus's book demonstrates that all these examples refer to a widely unknown debate on the arabesque and that Kant, in displacing it, addresses genuinely "modern" phenomena. The early Romantic poetics and literature of the arabesque follow and radicalize Kant's move. Menninghaus shows parergonality and "nonsense" to be two key features in the spread of the arabesque from architecture and the fine arts to philosophy and finally to literature. On the one hand, comparative readings of the parergon in Enlightenment aesthetics, Kant, and Schlegel reveal the importance of this term for establishing the very notion of a self-reflective work of art. On the other hand, drawing on Kant's posthumous anthropological notebooks, Menninghaus extrapolates an entire Kantian theory of what it means to produce nonsense and why the Critique of Judgment defines genius precisely through the power (as well as the dangers) of doing so. Ludwig Tieck's 1797 rewriting of Charles Perrault's famous Bluebeard tale (1697) explicitly claims to be an "arabesque" book "without any sense and coherence." Menninghaus's close reading of this capricious narrative reveals a specifically Romantic?as opposed, say, to a Victorian or dadaistic?type of nonsense. Benjamin's as well as Propp's, Lévi-Strauss's, and Meletinskij's oppositions of myth and fairy tale lend additional credit to a Romantic poetics that inaugurates "universal poetry" while performing a bizarre trajectory through arabesque ornament, nonsense, parergonality, and the fairy tale. 410 0$aMeridian (Stanford, Calif.) 606 $aRomanticism 606 $aFairy tales$xHistory and criticism 615 0$aRomanticism. 615 0$aFairy tales$xHistory and criticism. 676 $a809/.9145 700 $aMenninghaus$b Winfried, $4aut$4http://id.loc.gov/vocabulary/relators/aut$0245408 701 $aPickford$b Henry$01141462 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910136096403321 996 $aIn Praise of Nonsense$92866861 997 $aUNINA LEADER 00887nam0-22002651i-450 001 990002049280403321 005 20250730121209.0 035 $a000204928 100 $a20030910d1977----km-y0itay50------ba 101 0 $apor 102 $aBR 105 $ay-------101yy 200 1 $a4. Congresso Brasileiro de Entomologia, Goiania, GO (Brasil), 6 Jun 1977$fSociedade Entomologica de Brasil 210 $aGoiania$cSociedade Entomologica do Brasil$d1977 215 $a67 p.$d23 cm 610 0 $aEntomologia$aCongressi 676 $a595.7$v23$zita 710 12$aCongresso brasileiro de entomologia,$d4.$f<1977 ;$eGoiania>$0360733 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002049280403321 952 $aB ENT 672$b01/0772/25$fFAGBC 959 $aFAGBC 996 $a4. Congresso Brasileiro de Entomologia., Goiania, GO (Brasil)., 6 Jun 1977$9406833 997 $aUNINA