LEADER 03286nam 2200757 a 450 001 9910463683103321 005 20200520144314.0 010 $a1-78170-193-8 010 $a1-84779-363-0 035 $a(CKB)3280000000001202 035 $a(EBL)1069690 035 $a(OCoLC)818847481 035 $a(SSID)ssj0000712864 035 $a(PQKBManifestationID)12315628 035 $a(PQKBTitleCode)TC0000712864 035 $a(PQKBWorkID)10651484 035 $a(PQKB)10741015 035 $a(StDuBDS)EDZ0000086847 035 $a(MiAaPQ)EBC1069690 035 $a(OCoLC)1132662806 035 $a(MdBmJHUP)muse78068 035 $a(Au-PeEL)EBL1069690 035 $a(CaPaEBR)ebr10627272 035 $a(CaONFJC)MIL843694 035 $a(EXLCZ)993280000000001202 100 $a20070719d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTreading the bawds$b[electronic resource] $eactresses and playwrights on the late-Stuart stage /$fGilli Bush-Bailey 210 $aManchester [U.K.] ;$aNew York $cManchester University Press ;$aNew York $cDistributed exclusively in the USA by Palgrave$d2006 215 $a1 online resource (234 p.) 225 0$aWomen, theatre and performance 300 $aDescription based upon print version of record. 311 $a0-7190-7251-4 311 $a0-7190-7250-6 320 $aIncludes bibliographical references and index. 327 $apt. 1. Background -- pt. 2. The players' company at Lincoln's Inn Fields. 330 $aDrawing on feminist cultural materialist theories and historiographies, 'Treading the bawds' analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player's co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by 410 0$aWomen, Theatre and Performance 606 $aWomen in the theater$zEngland$xHistory$y17th century 606 $aWomen in the theater$zEngland$xHistory$y18th century 606 $aEnglish drama$yRestoration, 1660-1700$xHistory and criticism 606 $aEnglish drama$y18th century$xHistory and criticism 606 $aEnglish drama$xWomen authors$xHistory and criticism 606 $aTheater$zEngland$xHistory$y17th century 606 $aTheater$zEngland$xHistory$y18th century 608 $aElectronic books. 615 0$aWomen in the theater$xHistory 615 0$aWomen in the theater$xHistory 615 0$aEnglish drama$xHistory and criticism. 615 0$aEnglish drama$xHistory and criticism. 615 0$aEnglish drama$xWomen authors$xHistory and criticism. 615 0$aTheater$xHistory 615 0$aTheater$xHistory 676 $a822.4 700 $aBush-Bailey$b Gilli$01045705 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463683103321 996 $aTreading the bawds$92472144 997 $aUNINA LEADER 01732oam 2200493 a 450 001 9910702370603321 005 20121129090441.0 035 $a(CKB)5470000002426451 035 $a(OCoLC)810441606 035 $a(EXLCZ)995470000002426451 100 $a20120921d2012 ua 0 101 0 $aeng 135 $aurmn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFinding "the right way"$b[electronic resource] $etoward an Army institutional ethic /$fClark C. Barrett 210 1$aCarlisle, PA :$cStrategic Studies Institute, U.S. Army War College,$d[2012] 215 $a1 online resource (vii, 64 pages) $cillustrations 225 1 $aCarlisle papers 300 $aTitle from title screen (viewed September 21, 2012). 300 $a"September 2012." 320 $aIncludes bibliographical references (pages 44-64). 517 $aFinding "the right way" 606 $aMilitary ethics$zUnited States 606 $aCorporate culture$zUnited States 606 $aSoldiers$zUnited States$xConduct of life 606 $aSoldiers$xProfessional ethics$zUnited States 606 $aDecision making$xMoral and ethical aspects$zUnited States 615 0$aMilitary ethics 615 0$aCorporate culture 615 0$aSoldiers$xConduct of life. 615 0$aSoldiers$xProfessional ethics 615 0$aDecision making$xMoral and ethical aspects 700 $aBarrett$b Clark C$01421609 712 02$aArmy War College (U.S.).$bStrategic Studies Institute. 801 0$bAWC 801 1$bAWC 801 2$bAWC 801 2$bGPO 906 $aBOOK 912 $a9910702370603321 996 $aFinding "the right way"$93543389 997 $aUNINA