LEADER 02869nam 2200649 a 450 001 9910461093503321 005 20200520144314.0 010 $a0-429-89622-0 010 $a0-429-47145-9 010 $a1-280-12578-0 010 $a9786613529640 010 $a1-84940-974-9 035 $a(CKB)2670000000174894 035 $a(EBL)887963 035 $a(OCoLC)785811679 035 $a(SSID)ssj0000658200 035 $a(PQKBManifestationID)12235780 035 $a(PQKBTitleCode)TC0000658200 035 $a(PQKBWorkID)10680997 035 $a(PQKB)11758172 035 $a(MiAaPQ)EBC887963 035 $a(Au-PeEL)EBL887963 035 $a(CaPaEBR)ebr10555114 035 $a(CaONFJC)MIL352964 035 $a(EXLCZ)992670000000174894 100 $a20120509d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA psychoanalytic approach to visual artists$b[electronic resource] /$fJames W. Hamilton 210 $aLondon $cKarnac Books$d2012 215 $a1 online resource (224 p.) 300 $aDescription based upon print version of record. 311 $a0-367-10089-4 311 $a1-78049-014-3 320 $aIncludes bibliographical references and index. 327 $aCOVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; Introduction; CHAPTER ONE Mark Rothko; CHAPTER TWO Joseph Cornell; CHAPTER THREE Piet Mondrian; CHAPTER FOUR Pablo Picasso; CHAPTER FIVE Clement Greenberg; CHAPTER SIX Edward Weston; CHAPTER SEVEN Ingmar Bergman; CHAPTER EIGHT Franc?ois Truffaut; CHAPTER NINE Quentin Tarantino; CHAPTER TEN Florian von Donnersmarck; REFERENCES; INDEX 330 $aJames Hamilton's engaging book offers us his own unique insight into the unconscious factors involved in the creative processes associated with painting, filmmaking, and photography by studying the lives and works of a number of artists, each one having a unique personal style.In separate chapters, he looks at the lives and works of Mark Rothko, Joseph Cornell, Piet Mondrian, Pablo Picasso, Clement Greenberg, Edward Weston, Ingmar Bergman, Francois Truffaut, Quentin Tarantino, and Florian von Donnersmarck from a psychoanalytic perspective with emphasis on unconscious motivation and the quest f 606 $aArt$xPsychological aspects 606 $aAmateur films$xPsychological aspects 606 $aPsychoanalysis 608 $aElectronic books. 615 0$aArt$xPsychological aspects. 615 0$aAmateur films$xPsychological aspects. 615 0$aPsychoanalysis. 676 $a150.195 676 $a791.43023 700 $aHamilton$b James W$0141649 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461093503321 996 $aA psychoanalytic approach to visual artists$91980738 997 $aUNINA LEADER 01667nam 2200373Ia 450 001 996393976003316 005 20200818231153.0 035 $a(CKB)4940000000115279 035 $a(EEBO)2240900842 035 $a(UnM)99898207e 035 $a(UnM)99898207 035 $a(EXLCZ)994940000000115279 100 $a19990301d1580 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aEuphues and his England$b[electronic resource] $eContaining his voyage and his aduentures, myxed with sundry pretie discourses of honest loue, the discription of the countrey, the court, and the manners of that isle. Delightful to be read, and nothing hurtfull to be regarded: wher-in there is small offence by lightnesse giuen to the wise, and lesse occasion of loosenes proffered to the wanton. By John Lyly, maister of arte. Commend it, or amend it 210 $aImprinted at London $c[By T. East] for Gabriell Cawood, dwelling in Paules Church-yard$d1580 215 $a[8], 136+ leaves 300 $aPrinter's name from STC. 300 $aLeaf 136 verso has catchword: but. 300 $aSignatures: A? [pi]? 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