LEADER 01448oam 2200397 a 450 001 9910699302903321 005 20230902161804.0 035 $a(CKB)5470000002402892 035 $a(OCoLC)650557059 035 $a(EXLCZ)995470000002402892 100 $a20100728d2010 ua 0 101 0 $aeng 135 $aurbn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDemocracy Restoration Act of 2009$b[electronic resource] $ehearing before the Subcommittee on the Constitution, Civil Rights, and Civil Liberties of the Committee on the Judiciary, House of Representatives, One Hundred Eleventh Congress, second session, on H.R. 3335, March 16, 2010 210 1$aWashington :$cU.S. G.P.O.,$d2010. 215 $a1 online resource (iii, 135 pages) 300 $aTitle from title screen (viewed on July 28, 2010). 300 $a"Serial no. 111-84." 320 $aIncludes bibliographical references. 517 $aDemocracy Restoration Act of 2009 606 $aEx-convicts$xSuffrage$zUnited States 606 $aSuffrage$zUnited States 606 $aPolitical rights, Loss of$zUnited States 615 0$aEx-convicts$xSuffrage 615 0$aSuffrage 615 0$aPolitical rights, Loss of 801 0$bGPO 801 1$bGPO 801 2$bGPO 906 $aBOOK 912 $a9910699302903321 996 $aDemocracy Restoration Act of 2009$93523371 997 $aUNINA LEADER 04304nam 2200565Ia 450 001 9910966131003321 005 20251116143230.0 010 $a1-280-32625-5 010 $a1-134-67392-2 010 $a0-203-18221-9 010 $a1-134-67393-0 010 $a0-203-19081-5 035 $a(CKB)111056485535766 035 $a(EBL)166118 035 $a(OCoLC)60496855 035 $a(MiAaPQ)EBC166118 035 $a(EXLCZ)99111056485535766 100 $a19980722d1999 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 02$aA sourcebook on African-American performance $eplays, people, movements /$fedited by Annemarie Bean 205 $a1st ed. 210 $aNew York $cRoutledge$d1999 215 $a1 online resource (375 p.) 225 1 $aWorlds of performance 300 $aDescription based upon print version of record. 311 08$a0-415-18234-4 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Contents; List of illustrations; Acknowledgments; Preface; Introduction Performing Beyond Pre-formations and Between Movements: Thirty Years of African-American Performance Annemarie Bean; Black Theatre 1998: A Thirty-Year Look at Black Arts Theatre (1998) Ed Bullins; Clara's Ole Man (1968) Ed Bullins; Home on the Range and Police (1968) Amiri Baraka (LeRoi Jones); The Bronx is Next (1968) Sonia Sanchez; The Black Arts Movement (1968) Larry Neal; Ritual Reformulations: Barbara Ann Teer and the National Black Theatre of Harlem (1998) Barbara Lewis 327 $aTo Make Black Bodies Strange: Social Critique in Concert Dance of the Black Arts Movement (1998) Thomas DeFrantz A Road Through the Wilderness (1998) John O'Neal; Dialog: The Free Southern Theater (1965) Gilbert Moses, John O'Neal, Denise Nicholas, Murray Levy and Richard Schechner; Motion in the Ocean: Some Political Dimensions of the Free Southern Theater (1968) John O'Neal; After the Free Southern Theater: A Dialog (1987) Tom Dent and Jerry W.Ward, Jr.; John O'Neal, Actor and Activist: The Praxis of Storytelling (1992) Kate Hammer; Rode a Railroad That Had No Track (1998) Glenda Dicker/sun 327 $aTheatre in Historically Black Colleges: A Survey of 100 Years (1998) James V. Hatch Stepping, Saluting, Cracking, and Freaking: The Cultural Politics of African-American Step Shows (1991) Elizabeth C. Fine; The Gospel Musical and Its Place in the Black American Theatre (1998) Warren B. Burdine, Jr.; Catalysis: An Interview with Adrian Piper (1972) Lucy Lippard; Four Bad Sisters (1998) Eugene Nesmith; A Growth of Images (1977) Adrienne Kennedy; Obsessing in Public: An Interview with Robbie McCauley(1993) Vicki Patraka; Sally's Rape (1994) Robbie McCauley 327 $aAnna Deavere Smith: Acting as Incorporation (1993) Richard Schechner The Word Becomes You: An Interview with Anna Deavere Smith (1993) Carol Martin; Doo-a-diddly-dit-dit: An Interview with Suzan-Lori Parks and Liz Diamond (1995) Steven Drukman; The America Play (1994) Suzan-Lori Parks; Index 330 $aA Sourcebook on African-American Performance is the first volume to consider African-American performance between and beyond the Black Arts Movement of the 1960's and the New Black Renaissance of the 1990's. As with all titles in the Worlds of Performance series, the Sourcebook consists of classic texts as well as newly commissioned pieces by notable scholars, writers and performers. It includes the plays 'Sally's Rape' by Robbie McCauley and 'The American Play' by Suzan-Lori Parks, and comes complete with a substantial, historical introduction by Annemarie Bean. 410 0$aWorlds of performance. 606 $aAfrican American theater$xHistory$y20th century$vSources 606 $aAmerican drama$xAfrican American authors$xHistory and criticism 615 0$aAfrican American theater$xHistory 615 0$aAmerican drama$xAfrican American authors$xHistory and criticism. 676 $a792/.089/96073 701 $aBean$b Annemarie$01882168 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910966131003321 996 $aA sourcebook on African-American performance$94497241 997 $aUNINA