LEADER 04278nam 22006735 450 001 9910698649803321 005 20230415044536.0 010 $a3-030-72135-3 024 7 $a10.1007/978-3-030-72135-0 035 $a(CKB)5710000000117034 035 $a(DE-He213)978-3-030-72135-0 035 $a(MiAaPQ)EBC7239157 035 $a(Au-PeEL)EBL7239157 035 $a(EXLCZ)995710000000117034 100 $a20230415d2023 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMemory and the Archival Turn in Caribbean Literature and Culture /$fby Marta Fernández Campa 205 $a1st ed. 2023. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (XIV, 329 p. 18 illus., 10 illus. in color.) 225 1 $aNew Caribbean Studies,$x2634-5196 311 $a3-030-72134-5 327 $a1.Introduction: Counter-narratives of History -- 2. A Caribbean Poetics: Fragmentation and Call-and-Response -- 3. Polyphonic Counter-archives Christopher Cozier?s Tropical Night and M. NourbeSe Philip?s Zong! -- 4. A fragmented poetics of location in The Farming of Bones and The Brief Wondrous Life of Oscar Wao -- 5. Counter-narratives in Black British and Caribbean art in Britain -- 6. A Genealogy of Resistance´ Writings by Inés María Martiatu-Terry, Mayra Santos-Febres and Yolanda Arroyo Pizarro -- 7. CODA. 330 $aThis book discusses an archival turn in the work of contemporary Caribbean writers and visual artists across linguistic locations and whose work engages critically with various historical narratives and colonial and postcolonial records. This refiguration opens a critical space and retells stories and histories previously occluded in/by those records, and in spaces of the public sphere. Through poetics and aesthetics of fragmentation largely influenced by music and popular culture, their work encourages contrapuntal ways of (re)thinking histories; ways that interrogate the influence of colonial narratives in processes of silencing but also centre the knowledge found in oral histories and other forms of artistic archives outside official repositories. Discussing literature and selected artwork by artists from Britain, Cuba, the Dominican Republic, Haiti, Puerto Rico, and Trinidad and Tobago, Memory and the Archival Turn in Caribbean Literature and Culture demonstrates the historiographical significance of artistic and cultural production. Marta Fernández Campa is an associate lecturer at Goldsmiths University, and a former Fulbright scholar and Leverhulme fellow. She has researched and taught at the University of East Anglia, UK, the University of Saint Louis, Spain, and the University of Miami, USA. Her work has appeared in Caribbean Literature in Transition, 1970-2020, Vol. 3, and in journals such as Anthurium, Callaloo, Journal of West Indian Literature and Small Axe. 410 0$aNew Caribbean Studies,$x2634-5196 606 $aLatin American literature 606 $aLiterature?History and criticism 606 $aLiterature, Modern?20th century 606 $aLiterature, Modern?21st century 606 $aEthnology?Latin America 606 $aCulture 606 $aLatin American/Caribbean Literature 606 $aLiterary History 606 $aContemporary Literature 606 $aLatin American Culture 615 0$aLatin American literature. 615 0$aLiterature?History and criticism. 615 0$aLiterature, Modern?20th century. 615 0$aLiterature, Modern?21st century. 615 0$aEthnology?Latin America. 615 0$aCulture. 615 14$aLatin American/Caribbean Literature. 615 24$aLiterary History. 615 24$aContemporary Literature. 615 24$aLatin American Culture. 676 $a809.898 676 $a809.89729 700 $aFernández Campa$b Marta$4aut$4http://id.loc.gov/vocabulary/relators/aut$01352765 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910698649803321 996 $aMemory and the Archival Turn in Caribbean Literature and Culture$93200525 997 $aUNINA