LEADER 01720oam 2200445 a 450 001 9910697688303321 005 20081002121402.0 035 $a(CKB)5470000002390076 035 $a(OCoLC)212908610 035 $a(EXLCZ)995470000002390076 100 $a20080306d2007 ua 0 101 0 $aeng 135 $aurmn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBase flow (1966-2005) and streamflow gain and loss (2006) of the Brazos River, McLennan County to Fort Bend County, Texas$b[electronic resource] /$fby Michael J. Turco, Jeffery W. East, and Matthew S. Milburn ; in cooperation with the Texas Water Development Board 205 $a[Version 1.0] 210 1$aReston, Va. :$cU.S. Dept. of the Interior, U.S. Geological Survey,$d2007. 215 $av, 27 pages $cdigital, PDF file 225 1 $aScientific investigations report ;$v2007-5286 300 $aTitle from PDF title screen (viewed on Mar. 6, 2008). 320 $aIncludes bibliographical references. 517 $aBase flow 606 $aStream measurements$zTexas$zBrazos River 606 $aStreamflow$zTexas$zBrazos River 615 0$aStream measurements 615 0$aStreamflow 700 $aTurco$b Michael J$01385788 701 $aEast$b Jeffery W$01383936 701 $aMilburn$b Matthew S$01400747 712 02$aTexas Water Development Board. 712 02$aGeological Survey (U.S.) 801 0$bGIS 801 1$bGIS 801 2$bGPO 906 $aBOOK 912 $a9910697688303321 996 $aBase flow (1966-2005) and streamflow gain and loss (2006) of the Brazos River, McLennan County to Fort Bend County, Texas$93468232 997 $aUNINA LEADER 02748nam 2200337z- 450 001 9910583580103321 005 20220715 010 $a1-4214-2839-3 035 $a(CKB)5460000000023633 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/88790 035 $a(oapen)doab88790 035 $a(EXLCZ)995460000000023633 100 $a20202207d2013 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aSounding Imperial$ePoetic Voice and the Politics of Empire, 1730-1820 210 $cJohns Hopkins University Press$d2013 215 $a1 online resource (232 p.) 330 $aSpoken words come alive in written verse.In Sounding Imperial, James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating "primitive" speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorated English poetry.Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas. Sounding Imperial traces this global aesthetic by reading texts from canonical authors like Thomas Gray, James Macpherson, and Felicia Hemans together with lesser-known writers, like Welsh antiquarians, Anglo-Indian poets of colonialism, and impersonators of Pacific islanders. The frenetic borrowing, movement, and adaptation of verse of this time offers a powerful analytic by which scholars can understand anew poetry's role in the formation of national culture and the exercise of colonial power. Sounding Imperial offers a more nuanced sense of poetry's unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive. 517 $aSounding Imperial 606 $aColonialism and imperialism$2bicssc 610 $aColonialism & imperialism 615 7$aColonialism and imperialism 700 $aMulholland$b James$4auth$01296165 906 $aBOOK 912 $a9910583580103321 996 $aSounding Imperial$93023838 997 $aUNINA