LEADER 01866oam 2200565I 450 001 9910461865103321 005 20200520144314.0 010 $a0-203-07306-1 024 7 $a10.1201/b12767 035 $a(CKB)2670000000273576 035 $a(SSID)ssj0000767419 035 $a(PQKBManifestationID)11941716 035 $a(PQKBTitleCode)TC0000767419 035 $a(PQKBWorkID)10739777 035 $a(PQKB)10976961 035 $a(MiAaPQ)EBC3060115 035 $a(Au-PeEL)EBL3060115 035 $a(CaPaEBR)ebr10611497 035 $a(CaONFJC)MIL693996 035 $a(OCoLC)922956186 035 $a(OCoLC)814057302 035 $a(EXLCZ)992670000000273576 100 $a20180420d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFour-point bending $eproceedings of the third Conference on Four-point Bending, Davis, CA, USA, 17-18 September 2012 /$fedited by Jorge C. Pais, John T. Harvey 210 1$aLeiden, The Netherlands :$cCRC Press,$d2012. 215 $ax, 294 p. $cill 300 $aA Balkema book. 311 $a1-322-62714-2 311 $a0-415-64331-7 320 $aIncludes bibliographical references. 327 $aModeling of the four point beam test -- Applications to mechanistic design -- Asphaltic materials evaluation -- Comparisons with other tests -- Non-asphaltic materials evaluation. 606 $aPavements, Concrete$vCongresses 606 $aConcrete slabs$vCongresses 608 $aElectronic books. 615 0$aPavements, Concrete 615 0$aConcrete slabs 676 $a620.110287 701 $aPais$b Jorge C$0922247 701 $aHarvey$b John T$0922248 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910461865103321 996 $aFour-point bending$92069505 997 $aUNINA LEADER 01644nam 2200421Ia 450 001 9910696987703321 005 20230902161812.0 035 $a(CKB)5470000002383011 035 $a(OCoLC)709610937 035 $a(EXLCZ)995470000002383011 100 $a20110328d1997 ua 0 101 0 $aeng 135 $aurbn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCan permanent-income theory explain cross-section consumpution patterns?$b[electronic resource] /$fJohn Sabelhaus, Jeff Groen 210 1$aWashington, D.C. :$cCongressional Budget Office,$d[1997] 215 $a1 online resource (29 unnumbered pages) 225 1 $aTechnical paper series ;$v1997-3 300 $aTitle from title screen (viewed Mar. 24, 2011). 300 $a"July 1997." 320 $aIncludes bibliographical references (pages 17-18). 410 0$aTechnical paper series (United States. Congressional Budget Office. Macroeconomic Analysis Division) ;$v1997-3. 606 $aPermanent income theory 606 $aConsumption (Economics) 615 0$aPermanent income theory. 615 0$aConsumption (Economics) 700 $aSabelhaus$b John Edward$01395919 701 $aGroen$b Jeffrey A$01398604 712 02$aUnited States.$bCongressional Budget Office.$bMacroeconomic Analysis Division. 712 02$aUnited States.$bCongressional Budget Office.$bTax Analysis Division. 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910696987703321 996 $aCan permanent-income theory explain cross-section consumpution patterns$93514525 997 $aUNINA LEADER 05417nam 2200637 450 001 9910817323203321 005 20230215203251.0 010 $a0-19-977139-1 035 $a(CKB)2670000000087428 035 $a(EBL)648050 035 $a(OCoLC)727648113 035 $a(SSID)ssj0000559205 035 $a(PQKBManifestationID)12197566 035 $a(PQKBTitleCode)TC0000559205 035 $a(PQKBWorkID)10566785 035 $a(PQKB)11139033 035 $a(MiAaPQ)EBC648050 035 $a(Au-PeEL)EBL648050 035 $a(CaPaEBR)ebr11306419 035 $a(EXLCZ)992670000000087428 100 $a20161201h20102010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic in the seventeenth and eighteenth centuries /$fRichard Taruskin 210 1$aNew York, New York :$cOxford University Press,$d2010. 210 4$dİ2010 215 $a1 online resource (1772 p.) 225 0 $aThe Oxford history of western music 300 $aDescription based upon print version of record. 311 $a0-19-984215-9 311 $a0-19-538482-2 320 $aIncludes bibliographical references and index. 327 $a""Cover Page""; ""Title Page""; ""Copyright page""; ""Contents""; ""INTRODUCTION""; ""Preface""; ""Chapter 1 Opera from Monteverdi to Monteverdi""; ""Princely and Public Theaters; Monteverdi's Contributions to Both""; ""Court and commerce""; ""From Mantua to Venice""; ""Poetics and esthesics""; ""Opera and its politics""; ""Sex objects, sexed and unsexed""; ""The quintessential princely spectacle""; ""The carnival show""; ""Chapter 2 Fat Times and Lean""; ""Organ Music from Frescobaldi to Scheidt; Schu?tz's Career; Oratorio and Cantata""; ""Some organists""; ""The toccata"" 327 $a""Sweelinck-His patrimony and his progeny""""Lutheran adaptations: The chorale partita""; ""The chorale concerto""; ""Ruin""; ""A creative microcosm""; ""Luxuriance""; ""Shriveled down to the expressive nub""; ""Carissimi: Oratorio and cantata""; ""Women in music: A historians' dilemma""; ""Chapter 3 Courts Resplendent, Overthrown, Restored""; ""Trage?die Lyrique from Lully to Rameau; English Music in the Seventeenth Century""; ""Sense and sensuousness""; ""The politics of patronage""; ""Drama as court ritual""; ""Atys, the king's opera""; ""Art and politics: Some caveats"" 327 $a""Jacobean England""""Masque and consort""; ""Ayres and suites: Harmonically determined form""; ""Distracted times""; ""Restoration""; ""Purcell""; ""Dido and Aeneas and the question of "English opera"""; ""The making of a classic""; ""Chapter 4 Class and Classicism""; ""Opera Seria and Its Makers""; ""Naples""; ""Scarlatti""; ""Neoclassicism""; ""Metastasio""; ""Metastasio's musicians""; ""The fortunes of Artaserse""; ""Opera seria in (and as) practice""; """Performance practice"""; ""Chapter 5 The Italian Concerto Style and the Rise of Tonality-Driven Form"" 327 $a""Corelli, Vivaldi, and Their German Imitators""""Standardized genres and tonal practices""; ""What, exactly, is "tonality"?""; ""The spread of "tonal form"""; ""The fugal style""; ""Handel and "defamiliarization"""; ""Bach and "dramatized" tonality""; ""Vivaldi's five hundred""; """Concerti madrigaleschi"""; ""Chapter 6 Class of 1685 (I)""; ""Careers of J. S. Bach and G. F. Handel Compared; Bach's Instrumental Music""; ""Contexts and canons""; ""Careers and lifestyles""; ""Roots (domestic)""; ""Roots (imported)""; ""Bach's suites""; ""A close-up""; """Agre?mens" and "doubles""" 327 $a""Stylistic hybrids""""The "Brandenburg" Concertos""; """Obbligato" writing and/or arranging""; ""What does it all mean?""; ""Chapter 7 Class of 1685 (II)""; ""Handel's Operas and Oratorios; Bach's Cantatas and Passions; Domenico Scarlatti""; ""Handel on the Strand""; ""Lofty entertainments""; ""Messiah""; """Borrowing"""; ""Back to Bach: The cantatas""; ""The old style""; ""The new style""; ""Musical symbolism, musical idealism""; ""What music is for""; ""Bach's "testaments"""; ""The Bach revival""; ""Cursed questions""; ""Scarlatti, at last""; ""Chapter 8 The Comic Style"" 327 $a""Mid-Eighteenth-Century Stylistic Change Traced to Its Sources in the 1720s 330 $aThe universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Now in paperback, each of the volumes is being sold separate for the first time. Music in the Seventeenth and Eighteenth Centuries, the second volume Ri 606 $aMusic$y17th century$xHistory and criticism 606 $aMusic$y18th century$xHistory and criticism 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 676 $a780.9/032 700 $aTaruskin$b Richard$0607112 701 $aTaruskin$b Richard$0607112 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817323203321 996 $aMusic in the seventeenth and eighteenth centuries$94045695 997 $aUNINA