LEADER 04651nam 2200637 450 001 9910464392603321 005 20200520144314.0 010 $a1-4629-1188-9 035 $a(CKB)3710000000104272 035 $a(EBL)1638288 035 $a(SSID)ssj0001322269 035 $a(PQKBManifestationID)11729241 035 $a(PQKBTitleCode)TC0001322269 035 $a(PQKBWorkID)11423452 035 $a(PQKB)10294301 035 $a(MiAaPQ)EBC1638288 035 $a(JP-MeL)3000045226 035 $a(Au-PeEL)EBL1638288 035 $a(CaPaEBR)ebr10860391 035 $a(CaONFJC)MIL608824 035 $a(OCoLC)880412739 035 $a(EXLCZ)993710000000104272 100 $a20140429h20132013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aShodo $ethe quiet art of Japanese Zen calligraphy : learn the wisdom of Zen through traditional brush painting /$fShozo Sato, foreword by Gengo Akiba Roshi ; Gengo Akiba Roshi, Zen advisor ; Alice Ogura Sato, assistant to author ; Shinya Fujiwara, calligrapher 210 1$aNorth Clarendon, Vermont :$cTuttle Publishing,$d2013. 210 4$dİ2013 215 $a1 online resource (390 p.) 300 $aDescription based upon print version of record. 311 $a4-8053-1204-1 327 $aCover; Copyright; Contents; Foreword by Gengo Akiba Roshi; Preface; INTRODUCTION; Bokki: The Spirit of the Brush; The Chinese Roots of Shodo; The Artistry and Philosophy of Bokuseki; CHAPTER 1 The Art of Kanji; What Is Kanji?; Writing Styles; CHAPTER 2 The Four Treasures in Shodo; The Four Treasures; Mastering the Brush; Useful Information for Basic Brush Strokes; CHAPTER 3 One Ideogram Zengo; Mu ("Nothingness"); Mu or Yume ("Dream"); Hanatsu ("Release"); CHAPTER 4 Two Ideogram Zengo; Nyoze ("As It Is"); Fu Metsu ("Immortal" or "Indestructible"); Sen Shin ("Purify the Soul") 327 $aCHAPTER 5 Three Ideogram Zengo Mu Kan Sho ("No Hot Cold"); Kai Da Ko ("Release Beat Drum"); Mu Sho Ju? ("No Place to Live"); Zai Gan Zen ("Front of Your Eyes"); CHAPTER 6 Four Ideogram Zengo; Ichi Go Ichi E ("One Lifetime One Meeting"); Wa Kei Sei Jaku ("Harmony Respect Purity Tranquility"); Za Ichi So? Shichi ("Sit First Dash Seven"); Zui Ha Chiku Ro? ("Ocean Waves After Surf "); Sha Za Ki Ssa ("Have Seat Drink Tea"); Zuisho Nushi To Naru ("Wherever, Become Your Own Master"); Dai Do? Mu Mon ("Great Path No Gate"); Shiru Ki Sore Kami ("No Timing Is God"); CHAPTER 7 Five Ideogram Zengo 327 $aHon Rai Mu Ichi Butsu ("Originally [There Was] Not One Thing")Haku Un Onozu Kara Kyo Rai Suru ("White Cloud Oneself Come and Go"); Doku Za Dai Yu? Ho? ("Alone Seated on the Great Summit"); Nichi Nichi Kore Ko? Jitsu ("Every Day Is a Good Day"); Ho? Ken Ari Shu Ri ("Treasure Sword in My Hand"); Sei Fu? Shu? Chiku O Ugokasu ("Fresh Breeze Affects Serene Bamboo"); Gei Do? Kore Butsu Do? ("The Way of Art Is the Way of the Buddha"); Kumo Sari Seizan Arawareru ("Cloud Passes Blue Mountain Appears"); Bu Ji Kore Ki Nin ("Without Stratagem Is Noble Person"); Jiki Shin Kore Do?jo? ("Willing Heart Is the Dojo") 327 $aMizu Itaru Kiyoshi Nashi Sakana ("Water Reaches Purity No Fish")CHAPTER 8 Seven & Eight Ideogram Zengo; Ha Kkaku No Ma Ban Ku? Ri O Hashiru ("Octagonal Grinding Disk Cuts Through the Universe"); Uchi Ni Mukai Soto Ni Mukai Au Mono O Subete Korosu ("Face In Face Out Meet Person Kill All"); CHAPTER 9 Students of Shodo; Appendix; Glossary; Acknowledgments; Back Cover 330 $aIn this beautiful and extraordinary book, Shozo Sato, an internationally recognized master of traditional Zen arts, teaches the Japanese art of calligraphy through the power and wisdom of Zen poetry.Single-line Zen Buddhist koan aphorisms or zengo are one of the most common subjects for the traditional Japanese brush calligraphy known as shodo. Regarded as one of the key disciplines in fostering the focused, meditative state of mind so essential to Zen, shodo is practiced regularly by all students of Zen Buddhism in Japan. After providing a brief history of Japanese calligraphy 606 $aZen calligraphy 606 $aCalligraphy, Japanese 608 $aElectronic books. 615 0$aZen calligraphy. 615 0$aCalligraphy, Japanese. 676 $a745.610952 700 $aSato?$b Sho?zo?$0639787 702 $aRoshi$b Gengo Akiba 702 $aSato$b Alice Ogura 702 $aFujiwara$b Shinya 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464392603321 996 $aShodo$91958535 997 $aUNINA LEADER 01743oam 2200421 a 450 001 9910696533603321 005 20120214070021.0 035 $a(CKB)5470000002379517 035 $a(OCoLC)56053260 035 $a(EXLCZ)995470000002379517 100 $a20040729d1998 ua 0 101 0 $aeng 135 $aurbn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aEffectiveness of esfenvalerate, cyfluthrin, and carbaryl in protecting individual lodgepole pines and ponderosa pines from attack by Dendroctonus spp$b[electronic resource] /$fMichael I. Haverty ... [and others] 210 1$aAlbany, Calif. :$cU.S. Dept. of Agriculture, Forest Service, Pacific Southwest Research Station,$d[1998] 215 $aiv, 12 pages $cdigital, PDF file 225 1 $aResearch paper PSW-RP ;$v237 300 $aTitle from title screen (viewed July 29, 2004). 300 $a"August 1998." 320 $aIncludes bibliographical references. 606 $aDendroctonus$xEffect of insecticides on 606 $aPonderosa pine$xDiseases and pests$xControl 606 $aLodgepole pine$xDiseases and pests$xControl 615 0$aDendroctonus$xEffect of insecticides on. 615 0$aPonderosa pine$xDiseases and pests$xControl. 615 0$aLodgepole pine$xDiseases and pests$xControl. 701 $aHaverty$b Michael I$01420270 712 02$aPacific Southwest Research Station. 801 0$bAGL 801 1$bAGL 801 2$bGPO 906 $aBOOK 912 $a9910696533603321 996 $aEffectiveness of esfenvalerate, cyfluthrin, and carbaryl in protecting individual lodgepole pines and ponderosa pines from attack by Dendroctonus spp$93540563 997 $aUNINA