LEADER 04318nam 22006734a 450 001 9910451929503321 005 20200520144314.0 010 $a0-262-29288-2 010 $a1-282-09838-1 010 $a9786612098383 010 $a0-262-28605-X 010 $a1-4237-9030-8 035 $a(CKB)1000000000461583 035 $a(OCoLC)70807733 035 $a(CaPaEBR)ebrary10173716 035 $a(SSID)ssj0000113528 035 $a(PQKBManifestationID)11140770 035 $a(PQKBTitleCode)TC0000113528 035 $a(PQKBWorkID)10098969 035 $a(PQKB)10364533 035 $a(MiAaPQ)EBC3338654 035 $a(OCoLC)70807733$z(OCoLC)228172348$z(OCoLC)228172349$z(OCoLC)473715819$z(OCoLC)568000772$z(OCoLC)648226957$z(OCoLC)743198272$z(OCoLC)756542851$z(OCoLC)815776521$z(OCoLC)888657555$z(OCoLC)961523036$z(OCoLC)962588853$z(OCoLC)988501095$z(OCoLC)991937405$z(OCoLC)992086075$z(OCoLC)1037501210$z(OCoLC)1037916593$z(OCoLC)1038591538$z(OCoLC)1055314248$z(OCoLC)1058077145$z(OCoLC)1062904127$z(OCoLC)1081249826$z(OCoLC)1083602799 035 $a(OCoLC-P)70807733 035 $a(MaCbMITP)1639 035 $a(Au-PeEL)EBL3338654 035 $a(CaPaEBR)ebr10173716 035 $a(CaONFJC)MIL209838 035 $a(EXLCZ)991000000000461583 100 $a20060215d2006 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe body and the screen$b[electronic resource] $etheories of Internet spectatorship /$fMichele White 210 $aCambridge, Mass. $cMIT Press$dc2006 215 $a1 online resource (320 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-262-23249-9 320 $aIncludes bibliographical references (p. [273]-296) and index. 330 $a"Internet and computer users are often represented onscreen as active and empowered--as in AOL's striding yellow figure and the interface hand that appears to manipulate software and hypertext links. In The Body and the Screen Michele White suggests that users can more properly be understood as spectators rendered and regulated by technologies and representations, for whom looking and the mediation of the screen are significant aspects of engagement. Drawing on apparatus and feminist psychoanalytic film theories, art history, gender studies, queer theory, critical race and postcolonial studies, and other theories of cultural production, White conceptualizes Internet and computer spectatorship and provides theoretical models that can be employed in other analyses. She offers case studies and close visual and textual analysis of the construction of spectatorship in different settings. White shows that despite the onscreen promise of empowerment and coherence (through depictions of materiality that structure the experience), fragmentation and confusion are constant aspects of Internet spectatorship. She analyzes spectatorship in multi-user object-oriented settings (MOOs) by examining the textual process of looking and gazing, contrasts the experiences of the women's webcam spectator and operator, describes intentional technological failures in net art, and considers ways in which traditional conceptions of artistry, authorship, and production techniques persist in Internet and computer settings (as seen in the creation of virtual environment avatars and in digital imaging art). Finally, she analyzes the physical and psychic pain described by male programmers in Internet forums as another counternarrative to the common tale of the empowered user. Spectatorship, White argues, not only affects the way specific interfaces are understood but also helps shape larger conceptions of self and society."--Publisher's website. 606 $aArt and technology 606 $aCyberfeminism 606 $aHuman-computer interaction 606 $aInternet$xPhilosophy 608 $aElectronic books. 615 0$aArt and technology. 615 0$aCyberfeminism. 615 0$aHuman-computer interaction. 615 0$aInternet$xPhilosophy. 676 $a004.67/8 700 $aWhite$b Michele$0604263 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451929503321 996 $aThe body and the screen$92095418 997 $aUNINA LEADER 01253nam 2200349Ka 450 001 9910695551703321 005 20070207120033.0 035 $a(CKB)5470000002371254 035 $a(OCoLC)82173153 035 $a(EXLCZ)995470000002371254 100 $a20070207d1999 ua 0 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aIf you've got the look -- look out!$b[electronic resource] $eavoiding modeling scams 210 1$a[Washington, D.C.] :$cFederal Trade Commission, Bureau of Consumer Protection, Office of Consumer and Business Education,$d[1999] 215 $a4 unnumbered pages $cdigital, PDF file 225 1 $aFTC facts for consumers 300 $aTitle from title screen (viewed on Feb. 7, 2007). 300 $a"May 1999." 517 $aIf you've got the look -- look out! 606 $aModeling agencies$xCorrupt practices 615 0$aModeling agencies$xCorrupt practices. 712 02$aUnited States.$bFederal Trade Commission.$bOffice of Consumer and Business Education. 801 0$bGPO 801 1$bGPO 801 2$bGPO 906 $aBOOK 912 $a9910695551703321 996 $aIf you've got the look -- look out$93464003 997 $aUNINA