LEADER 03441nam 22006373u 450 001 9910783405803321 005 20230617004822.0 010 $a1-282-07134-3 010 $a0-253-11090-4 035 $a(CKB)1000000000243807 035 $a(EBL)242720 035 $a(OCoLC)475961885 035 $a(SSID)ssj0000099827 035 $a(PQKBManifestationID)11114057 035 $a(PQKBTitleCode)TC0000099827 035 $a(PQKBWorkID)10019950 035 $a(PQKB)11606496 035 $a(MiAaPQ)EBC242720 035 $a(EXLCZ)991000000000243807 100 $a20130418d2004|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAfrican Drama and Performance$b[electronic resource] 210 $aBloomington, IN $cIndiana University Press$d2004 215 $a1 online resource (285 p.) 225 0 $aAfrican expressive cultures African drama and performance 300 $aDescription based upon print version of record. 311 $a0-253-34439-5 327 $aCover; Table of Contents; Acknowledgments; Introduction; 1. King Baabu and the Renaissance Vision; 2. Dimensions of Theatricality in Africa; 3. Theatre and Anthropology, Theatricality and Culture; 4. Pre-Texts and Intermedia: African Theatre and the Question of History; 5. Soyinka, Euripides, and the Anxiety of Empire; 6. Antigone in the "Land of the Incorruptible": Sylvain Bemba's Noces posthumes de Santigone (Black Wedding Candles for Blessed Antigone); 7. Gestural Interpretation of the Occult in the Bin Kadi-SoAdaptation of Macbeth 327 $a15. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music16. Theatres of Truth, Acts of Reconciliation: The TRC in South Africa; 17. The Turner-Schechner Model of Performance as Social Drama: A Reexamination in Light of Anlo-Ewe Halo?; 18. Theatricality and Social Mimodrama; Bibliography; Contributors; Index 330 $aAfrican Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films. South Africa's Truth and Reconciliation Commissions are analyzed as a kind of social performance, and aspects of African performance in the diaspora 606 $aTheater - Africa - History - 20th century 606 $aTheater$xHistory$y20th century$zAfrica 606 $aPerforming arts$xHistory$y20th century$zAfrica 606 $aAfrican drama$xHistory and criticism$y20th century 606 $aDrama$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 615 4$aTheater - Africa - History - 20th century. 615 0$aTheater$xHistory 615 0$aPerforming arts$xHistory 615 0$aAfrican drama$xHistory and criticism 615 7$aDrama 615 7$aMusic, Dance, Drama & Film 676 $a791/.096/0904 700 $aConteh-Morgan$b John$01523251 701 $aOlaniyan$b Tejumola$01523237 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910783405803321 996 $aAfrican Drama and Performance$93763399 997 $aUNINA LEADER 01336nam 2200373z- 450 001 9910694335903321 005 20141115080349.0 035 $a(CKB)4920000000817485 035 $a(BIP)016449204 035 $a(EXLCZ)994920000000817485 100 $a20220316c2007uuuu -u- - 101 0 $aeng 200 10$aU.S. / Mexican trucking $esafety and the cross-border demonstration project : hearing before the Subcommittee on Highways and Transit of the Committee on Transportation and Infrastructure, House of Representatives, One Hundred Tenth Congress, first session, March 13, 2007 215 $a1 online resource (v, 327 p.) $cill 311 $a0-16-079450-1 517 $aU.S./Mexican Trucking 606 $aTrucking$zUnited States$xSafety measures 606 $aTrucking$zMexico$xSafety measures 606 $aTrucks$xStandards$zMexico$xEvaluation 607 $aUnited States$xCommerce$zMexico 607 $aMexico$xCommerce$zUnited States 610 $aUnited States 610 $aTrucking 610 $aMexico 610 $aTrucks 610 $aBusiness & economics 610 $aTransportation 615 0$aTrucking$xSafety measures. 615 0$aTrucking$xSafety measures. 615 0$aTrucks$xStandards$xEvaluation. 906 $aBOOK 912 $a9910694335903321 996 $aUS$9712200 997 $aUNINA