LEADER 02732nam 2200589 a 450 001 9910463183903321 005 20200520144314.0 010 $a1-61703-894-6 010 $a1-62846-636-7 010 $a1-62103-982-X 035 $a(CKB)2670000000391314 035 $a(StDuBDS)EDZ0000203642 035 $a(MiAaPQ)EBC1181931 035 $a(OCoLC)828334142 035 $a(MdBmJHUP)muse28608 035 $a(MiAaPQ)EBC4977730 035 $a(Au-PeEL)EBL1181931 035 $a(CaPaEBR)ebr10733951 035 $a(CaONFJC)MIL838054 035 $a(Au-PeEL)EBL4977730 035 $a(CaONFJC)MIL505035 035 $a(OCoLC)1024284068 035 $a(EXLCZ)992670000000391314 100 $a20130719d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aStanley Kubrick$b[electronic resource] $eadapting the sublime /$fElisa Pezzotta 210 $aJackson $cUniversity Press of Mississippi$d2013 215 $a1 online resource (x, 230 pages) $cillustrations (black and white) 311 $a1-61703-893-8 311 $a1-57806-297-7 320 $aIncludes bibliographical references, filmography and index. 327 $aIntroduction -- A history of Kubrick adaptations -- Plot construction: ellipses and enigmas of unrelated -- Scenes -- Plot construction: a chaotic geometry -- Music, dance, and dialogue -- Dreamy worlds -- Artificiality, modernism, and the sublime -- Conclusion. 330 8 $aAlthough Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since '2001: A Space Odyssey' (1968), they seem to exploit definitively all cinematic techniques, embodying a compelling visual and aural experience. But, as the author of this book contends, it is for these reasons that Kubrick's cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Pezzotta concludes that, unlike his predecessors, he creates a cinema not only centred on the ontology of the medium, but on the staging of sublime, new experiences. 606 $aLiterature$xAdaptations$xHistory and criticism 606 $aFilm adaptations$xHistory and criticism 608 $aElectronic books. 615 0$aLiterature$xAdaptations$xHistory and criticism. 615 0$aFilm adaptations$xHistory and criticism. 676 $a791.43/0233/092 700 $aPezzotta$b Elisa$01027082 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463183903321 996 $aStanley Kubrick$92442338 997 $aUNINA LEADER 01281oam 2200397Ka 450 001 9910692426503321 005 20040326110132.0 035 $a(CKB)5470000002353182 035 $a(OCoLC)54814883 035 9 $aocm54814883 035 $a(OCoLC)995470000002353182 035 $a(EXLCZ)995470000002353182 100 $a20040326d2003 ua 0 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aOvercoming senior slump$b[electronic resource] $ethe community college role /$fKimberly Peterson 210 1$aLos Angeles, CA :$cERIC Clearinghouse for Community Colleges,$d[2003] 225 1 $aERIC digest 300 $aTitle from title screen (viewed on Mar. 26, 2004). 517 $aOvercoming senior slump 606 $aCollege-school cooperation 606 $aCollege preparation programs 606 $aDropouts$xPrevention 615 0$aCollege-school cooperation. 615 0$aCollege preparation programs. 615 0$aDropouts$xPrevention. 700 $aPeterson$b Kim$01385536 712 02$aERIC Clearinghouse for Community Colleges. 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910692426503321 996 $aOvercoming senior slump$93433254 997 $aUNINA