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100   $a20040206d1993      ua             0
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aDeterminants of cost efficiencies in bank mergers$b[electronic resource] /$fRobert DeYoung
210  1$a[Washington, D.C.] :$cComptroller of the Currency,$d[1993]
225 1 $aEconomic & policy analysis working paper ;$v93-1
300   $aTitle from title screen (viewed on Jan. 30, 2004).
300   $a"August 1993."
320   $aIncludes bibliographical references.
606   $aBank mergers$zUnited States$xCost effectiveness
606   $aBank mergers$zUnited States$xEconometric models
615  0$aBank mergers$xCost effectiveness.
615  0$aBank mergers$xEconometric models.
700   $aDeYoung$b Robert$01380776
712 02$aUnited States.$bOffice of the Comptroller of the Currency.
801  0$bGPO
801  1$bGPO
906   $aBOOK
912   $a9910692108503321
996   $aDeterminants of cost efficiencies in bank mergers$93422819
997   $aUNINA

LEADER 03450nam  22008413u 450 
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010   $a9781592138432
010   $a1592138438
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035   $a(OCoLC)699506943
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135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aHitler's Heroines $eStardom & Womanhood In Nazi Cinema
205   $a1st ed.
210   $aPhiladelphia $cTemple University Press$d2003
215   $a1 online resource (287 p.)
225 1 $aCulture And The Moving Image
300   $aDescription based upon print version of record.
311 08$a9781566399838 
311 08$a1566399831 
311 08$a9781299850637 
311 08$a1299850634 
327   $aContents; Preface; Introduction; 1. Nazi Culture? National Socialism, Stardom, and Female Representation; 2. Kristina Soderbaum: The Myth of Naturalness, Sacrifice, and the ""Reich's Water Corpse""; 3. Lilian Harvey: International Stardom, German Comedy, and the ""Dream Couple""; 4. Diva, Mother, Martyr: The Many Faces of Zarah Leander; 5. Conclusion; Notes; Bibliography; Index
330   $aGerman film-goers flocked to see musicals and melodramas during the Nazi era. Although the Nazis seemed to require that every aspect of ordinary life advance the fascist project, even the most popular films depicted characters and desires that deviated from the politically correct ideal. Probing into the contradictory images of womanhood that surfaced in these films, Antje Ascheid shows how Nazi heroines negotiated the gender conflicts that confronted contemporary women.The careers of Kristina Soderbaum, Lilian Harvey, and Zarah Leander speak to the Nazis' need to address and contain the ""wom
410  0$aCulture And The Moving Image
606   $aHarvey, Lilian
606   $aLeander, Zarah
606   $aMotion pictures - Germany - History
606   $aNational socialism and motion pictures
606   $aSo ?derbaum, Kristina
606   $aS'oderbaum, Kristina
606   $aWomen in motion pictures
606   $aNational socialism and motion pictures
606   $aWomen in motion pictures
606   $aMotion pictures
606   $aMusic, Dance, Drama & Film$2HILCC
606   $aFilm$2HILCC
615  4$aHarvey, Lilian.
615  4$aLeander, Zarah.
615  4$aMotion pictures - Germany - History.
615  4$aNational socialism and motion pictures.
615  4$aSo ?derbaum, Kristina.
615  4$aS'oderbaum, Kristina.
615  4$aWomen in motion pictures.
615  0$aNational socialism and motion pictures.
615  0$aWomen in motion pictures.
615  0$aMotion pictures.
615  7$aMusic, Dance, Drama & Film
615  7$aFilm
676   $a791.43/658
676   $a791.430943
700   $aAscheid$b Antje$01812338
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910972310703321
996   $aHitler's Heroines$94364715
997   $aUNINA