LEADER 00798oam 2200205z- 450 001 9910689637103321 035 $a(WsH)cbhoctagaindgt 035 $a(CKB)5470000000935312 035 $a(EXLCZ)995470000000935312 100 $a20231017c2003uuuu -u- - 101 0 $aeng 200 00$aLessons Learned - the Inspectors General's Report on the 9/11 Detainees: Hearing before the Committee on the Judiciary, United States Senate, One Hundred Eighth Congress, First Session, June 25, 2003 210 $aWashington 311 $a0-16-071222-X 517 $aLessons learned 517 $aLessons Learned - the Inspectors General's Report on the 9/11 Detainees 906 $aBOOK 912 $a9910689637103321 996 $aLessons Learned - the Inspectors General's Report on the 9$93573279 997 $aUNINA LEADER 03105nam 2200637Ia 450 001 9910964253403321 005 20200520144314.0 010 $a9781780428895 010 $a1780428898 035 $a(CKB)2670000000402668 035 $a(EBL)4104550 035 $a(SSID)ssj0000952823 035 $a(PQKBManifestationID)11510994 035 $a(PQKBTitleCode)TC0000952823 035 $a(PQKBWorkID)10905935 035 $a(PQKB)10053942 035 $a(MiAaPQ)EBC1337403 035 $a(Au-PeEL)EBL1337403 035 $a(CaPaEBR)ebr10745511 035 $a(CaONFJC)MIL510157 035 $a(OCoLC)855505252 035 $a(MiAaPQ)EBC4982550 035 $a(PPN)197277772 035 $a(FR-PaCSA)88835847 035 $a(FRCYB88835847)88835847 035 $a(BIP)45588848 035 $a(BIP)38310141 035 $a(EXLCZ)992670000000402668 100 $a20111102d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAestheticism in art /$fWilliam Hogarth 205 $a1st ed. 210 $aNew York $cParkstone Press International$dc2013 215 $a1 online resource (256 p.) 300 $aIncludes index. 311 08$a9781906981921 311 08$a1906981922 327 $aIntro -- Introduction -- General Rules of Composition -- Of Fitness -- Of Variety -- Of Uniformity, Regularity or Symmetry -- Of Simplicity, or Distinctness -- Of Intricacy -- Of Quantity -- Mastering of Lines -- Of Lines -- Of What Sort of Parts, and How Pleasing Forms Are Composed -- Of Composition with the Waving-Line -- Of Compositions with the Serpentine-Line -- Light, Shadows and Colours -- Of Proportions -- Of Light and Shade, and the Manner in which Objects are Explained to the Eye by Them -- Of Composition, with Regard to Light, Shade and Colour -- Of Colouring -- Positioning of the Human Figure in Compositions -- Of the Face -- Of Attitude -- Of Action -- Hogarth's Life -- Index. 330 $aWilliam Hogarth wrote his Analysis of Beauty in 1753, during the Age of Enlightenment. Through this captivating text, he tends to define the notion of beauty in painting and states that it is linked, per se, to the use of the serpentine lines in pictorial compositions. He calls it the line of beauty . His essay is thus dedicated to the study of the composition of paintings, depending on the correct use of the pictorial lines, light, colour, and the figure's attitudes. These timeless concepts have been applied by several artists through the centuries. Paintings from every period have here been chosen to support this demonstration. They allow us to explore the various manners in which beauty can be expressed in painting. 606 $aAesthetic movement (Art) 606 $aAesthetics 615 0$aAesthetic movement (Art) 615 0$aAesthetics. 676 $a701.17 700 $aHogarth$b William$0189070 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910964253403321 996 $aAestheticism in art$94339882 997 $aUNINA