LEADER 02837nam 2200361 450 001 9910687994003321 005 20230626035149.0 035 $a(CKB)5670000000374864 035 $a(NjHacI)995670000000374864 035 $a(EXLCZ)995670000000374864 100 $a20230626d2019 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGerman Operetta on Broadway and in the West End, 1900-1940 /$fDerek B. Scott 210 1$aCambridge, England :$cCambridge University Press,$d2019. 215 $a1 online resource (x, 383 pages) $cillustrations 311 $a1-108-72332-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction; Part I. The Production of Operetta: 1. The music of operetta; 2. Cultural transfer: translation and transcreation; 3. The business of operetta; 4. Directors, designers and performers; Part II. The Reception of Operetta: 5. The reception of operetta in London and New York; 6. Operetta and intermediality; 7. Operetta and modernity; 8. Operetta and cosmopolitanism; Postlude: the demise of operetta; Appendix 1. Productions of operetta from the German stage on Broadway and in the West End; Appendix 2. Longest runs of operetta from the German stage on Broadway and in the West End; Appendix 3. Operettas with English librettos by composers for the German stage; Appendix 4. Selected period recordings of English versions of operetta from the German stage; Appendix 5. Selected films in English of operettas from the German stage; Appendix 6. Research resources. 330 $aAcademic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core. 606 $aOperetta 615 0$aOperetta. 676 $a782.12 700 $aScott$b Derek B.$01185326 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910687994003321 996 $aGerman Operetta on Broadway and in the West End, 1900-1940$93393007 997 $aUNINA