LEADER 00886nam0-2200277 --450 001 9910685898203321 005 20230428092701.0 010 $a978-88-337-9057-2 020 $aIT$b2019-7136 100 $a20230428d2019----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $a 001yy 200 1 $aComprendere il terrorismo$espunti interpretativi di analisi e metodologie di contrasto del fenomeno$fa cura di Ranieri Razzante$gprefazione di Federico Cafiero de Raho 210 $aPisa$cPacini giuridica$d2019 215 $aX, 162 p.$d24 cm 676 $a363.3250945$v23$zita 700 1$aRazzante,$bRanieri$0241041 702 1$aCafiero De Raho,$bFederico 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910685898203321 952 $aXII F 817$b2019/865$fFGBC 959 $aFGBC 996 $aComprendere il terrorismo$93090218 997 $aUNINA LEADER 03491nam 22007095 450 001 9910255077003321 005 20251030100543.0 010 $a9781137425874 010 $a1137425873 024 7 $a10.1057/978-1-137-42587-4 035 $a(CKB)4100000001041907 035 $a(DE-He213)978-1-137-42587-4 035 $a(MiAaPQ)EBC5150664 035 $a(Perlego)3498368 035 $a(EXLCZ)994100000001041907 100 $a20171118d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAdaptation and Nation $eTheatrical Contexts for Contemporary English and Irish Drama /$fby Catherine Rees 205 $a1st ed. 2017. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (IX, 185 p.) 225 1 $aAdaptation in Theatre and Performance,$x2947-4051 311 08$a9781137425867 311 08$a1137425865 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aChapter 1. Introduction -- Chapter 2. Brian Friel -- Chapter 3. Marina Carr -- Chapter 4. Sarah Kane -- Chapter 5. Patrick Marber -- Chapter 6. ?An Interlude? -- Chapter 7. Martin McDonagh -- Chapter 8. Conclusion -- Bibliography -- Index. 330 $aThis book focuses on modern theatrical adaptations that rework classic plays in new British and Irish settings. It explores these shifted national contexts and examines what they might reveal about the political and cultural climate of the new setting. In examining the modern setting alongside the country of the original text, it also reveals fascinating resonances between two different national contexts. The book discusses five British and Irish playwrights and their current adaptations, examining well-known dramatists such as Martin McDonagh, Sarah Kane and Brian Friel, while analysing some of their less-well known plays, offering a novel examination of the adaptation process. The book further provides an insightful commentary on some significant events of the twentieth century in Britain and Ireland, such as the historic Labour victory of 1945 and scandals in the Royal Family since the 1990s. This book will appeal to theatre and performance enthusiasts, as well as students and scholars of both theatre and adaptation. 410 0$aAdaptation in Theatre and Performance,$x2947-4051 606 $aPerforming arts 606 $aTheater 606 $aMotion picture acting 606 $aCultural property 606 $aCommunication 606 $aEthnology$zGreat Britain 606 $aCulture 606 $aTheatre and Performance Arts 606 $aScreen Performance 606 $aCultural Heritage 606 $aMedia and Communication 606 $aBritish Culture 615 0$aPerforming arts. 615 0$aTheater. 615 0$aMotion picture acting. 615 0$aCultural property. 615 0$aCommunication. 615 0$aEthnology 615 0$aCulture. 615 14$aTheatre and Performance Arts. 615 24$aScreen Performance. 615 24$aCultural Heritage. 615 24$aMedia and Communication. 615 24$aBritish Culture. 676 $a792 700 $aRees$b Catherine$4aut$4http://id.loc.gov/vocabulary/relators/aut$0880928 906 $aBOOK 912 $a9910255077003321 996 $aAdaptation and Nation$91967561 997 $aUNINA