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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aCine, revolucio?n y resistencia $eLa poli?tica cultural del Instituto Cubano del Arte e Industria Cinematogra?ficos hacia Ame?rica Latina /$fSalvador Salazar Navarro
210  1$aPittsburgh :$cLatin America Research Commons,$d2020.
210  4$dİ2020
215   $a1 online resource (336 pages)
311   $a1-951634-08-X 
311   $a1-951634-09-8 
320   $aIncludes bibliographical references and index.
330   $aThroughout these pages a journey is made chronological by the main expressions of the cultural policy developed by the Institute Cuban Film to Latin America, from the early sixties to late 20th century. From the analysis of the Cumbite films (1964, Toma?s Gutie?rrez Alea), Cantata de Chile (1975, Humberto Sola?s), Love in the minefield (1987, Pastor Vega) and Mascaro?, the American hunter (1991, Constant Rapi Diego), the highlights of this policy and the ideological projects that gave them sustenance. A set of works by Santiago A?lvarez, considered the exponent most significant of documentary Cuban politics. History the relationships between ICAIC and Latin America allows us to delve into a complex reading of outer links of the Cuban Revolution, specifically what concerning the interrelationships between actors and institutions. The ultimate goal of this book is contribute to the construction of a critical account of Cuban culture after 1959, with respect to to Latin America.
606   $aDiplomacy
615  0$aDiplomacy.
676   $a327.2
700   $aSalazar Navarro$b Salvador$01359821
801  0$bNjHacI
801  1$bNjHacl
906   $aBOOK
912   $a9910678401103321
996   $aCine, revolucio?n y resistencia$93374835
997   $aUNINA