LEADER 01057nam--2200373---450- 001 990000956720203316 005 20050518132913.0 010 $a0-571-14122-6 035 $a0095672 035 $aUSA010095672 035 $a(ALEPH)000095672USA01 035 $a0095672 100 $a20020212d1990----km-y0itay0103----ba 101 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $aUnauthorized versions$epoems and their parodies$fedited by Kenneth Baker 210 $aLondon$cFaber and Faber$d1990 215 $aXXIV, 446 p$d23 cm 410 $12001 606 0 $aSatira inglese$zSec. 19. 676 $a827.8 702 1$aBAKER,$bKenneth 801 0$aIT$bsalbc$gISBD 912 $a990000956720203316 951 $aVII.3.C. 43(IL i I 407)$b74809 EC$cIL i I 959 $aBK 969 $aUMA 979 $aPATTY$b90$c20020212$lUSA01$h1316 979 $c20020403$lUSA01$h1738 979 $aPATRY$b90$c20040406$lUSA01$h1706 979 $aCOPAT3$b90$c20050518$lUSA01$h1329 996 $aUnauthorized versions$9973410 997 $aUNISA LEADER 02019nam 2200433 450 001 9910676683203321 005 20230419143539.0 010 $a1-5013-8728-6 010 $a1-5013-8729-4 035 $a(CKB)5850000000308217 035 $a(MiAaPQ)EBC7157857 035 $a(ScCtBLL)024ec6fc-69ef-423c-9ebb-3cd3b03260da 035 $a(EXLCZ)995850000000308217 100 $a20230419d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aYouTube and music $eonline culture and everyday life /$fedited by Holly Rogers, Joana Freitas, and Joa?o Francisco Porfi?rio 210 1$aLondon, England ;$aNew York, New York ;$aDublin, Ireland :$cBloomsbury Academic,$d[2023] 210 4$d©2023 215 $a1 online resource (329 pages) $cillustrations 300 $aIncludes index. 311 $a1-5013-8727-8 330 $aIn this volume, 13 authors from several different countries examine how music has been created and used by YouTube users to establish and a promote a narrative for their daily lives. The digital platform has been used to create and disseminate sonic and emotional soundscapes, to stage performances and build artistic (cyber)identity, to engage in producing and circulating aural content for composing and teaching, and even to customize listening habits. This volume mixes long and short essays to explore these interactions from a variety of angles, from YouTube users' comments to online collaborations between composers and listeners and virtual stages for real and imagined performances. 606 $aMusic and the Internet 615 0$aMusic and the Internet. 676 $a823.808 702 $aFreitas$b Joana 702 $aPorfi?rio$b Joa?o Francisco 702 $aRogers$b Holly 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910676683203321 996 $aYouTube and music$93089832 997 $aUNINA LEADER 01458nam0 22003253i 450 001 MIL0118904 005 20251003044224.0 020 $aIT$b6411127 100 $a19920924d1964 ||||0itac50 ba 101 | $aita$aeng$afre 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $aˆ"‰Conferences" marittime e mercato comune$fF. M. Dominedò ... [et al.] 210 $aPadova$cCEDAM$d1964 215 $a199 p.$d25 cm 225 | $aDocumentazioni dell'Istituto di diritto della navigazione della Facoltà di giurisprudenza dell'Università di Roma$v2 300 $aContiene atti di una tavola rotonda svoltasi a Roma nel 1962. 410 0$1001MIL0118903$12001 $aDocumentazioni dell'Istituto di diritto della navigazione della Facoltà di giurisprudenza dell'Università di Roma$v2 606 $aTrasporti marittimi internazionali$2FIR$3SBLC005220$9E 676 $a341.75662$9DIRITTO DELLE NAZIONI (DIRITTO INTERNAZIONALE). Trasporti marittimi$v22 702 1$aDominedò$b, Francesco Maria$3MILV077111 801 3$aIT$bIT-000000$c19920924 850 $aIT-BN0095 901 $bNAP 01$cD $n$ 912 $aMIL0118904 950 0$aBiblioteca Centralizzata di Ateneo$c1 v.$d 01D (AR) 24 178$e 01AR 0700241785 VMA A4 1 v.$fY $h19981223$i20181217 977 $a 01 996 $aCONFERENCES marittime e mercato comune$9640237 997 $aUNISANNIO