LEADER 02301nam 2200373 450 001 9910674035303321 005 20230623081417.0 035 $a(CKB)4100000011302160 035 $a(NjHacI)994100000011302160 035 $a(EXLCZ)994100000011302160 100 $a20230623d2020 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArt Markets and Digital Histories /$fSandra Van Ginhoven, Claartje Rasterhoff 210 1$aBasel :$cMDPI - Multidisciplinary Digital Publishing Institute,$d2020. 215 $a1 online resource (156 pages) 311 $a3-03921-970-7 330 $aThis Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. As historical and contemporary data is rapidly becoming more available, and digital technologies are becoming integral to research in the humanities and social sciences, we sought to bring together contributions that reflect on the different strategies that art market scholars employ to navigate and negotiate digital techniques and resources. The essays in this issue cover a wide range of topics and research questions. Taken together, the essays offer a reflection on what takes to research art markets, which includes addressing difficult topics such as the nature of the research questions and the data available to us, and the conceptual aspects of art markets, in order to define and operationalize variables and to interpret visual and statistical patterns for scholarship. In our view, this discussion is enriched when also taking into account how to use shared or interoperable ontologies and vocabularies to define concepts and relationships that facilitate the use and exchange of linked (open) data for cultural heritage and historical research. 606 $aArts$xHistory 606 $aInfluence (Literary, artistic, etc.) 615 0$aArts$xHistory. 615 0$aInfluence (Literary, artistic, etc.) 676 $a700.9 700 $aSandra Van Ginhoven$01367513 702 $aClaartje Rasterhoff 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910674035303321 996 $aArt Markets and Digital Histories$93390842 997 $aUNINA