LEADER 03657nam 2200541 450 001 9910673926703321 005 20230415172629.0 010 $a1-64453-235-2 024 7 $a10.36019/9781644532355 035 $a(MiAaPQ)EBC6823560 035 $a(Au-PeEL)EBL6823560 035 $a(CKB)20094169800041 035 $a(DE-B1597)624419 035 $a(DE-B1597)9781644532355 035 $a(OCoLC)1294295516 035 $a(MdBmJHUP)musev2_102551 035 $a(EXLCZ)9920094169800041 100 $a20230415d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMaking Ideas Visible in the Eighteenth Century /$fedited by Jennifer Milam & Nicola Parsons 210 1$aNewark, DE :$cUniversity of Delaware Press,$d[2021] 210 4$dİ2021 215 $a1 online resource (241 pages) 225 1 $aStudies in Seventeenth- and Eighteenth-Century Art and Culture 300 $aIncludes index. 311 08$aPrint version: Milam, Jennifer Making Ideas Visible in the Eighteenth Century New Brunswick : University of Delaware Press,c2022 9781644532324 320 $aIncludes bibliographical references and index. 327 $gIntroduction:$tThe potential visibility of ideas in Enlightenment art and aesthetics /$rJennifer Milam and Nicola Parsons --$g1.$tA good address : living at the Louvre in the eighteenth century /$rDavid Maskill --$g2.$tInventing artifice : Franc?ois Boucher's collection at the Louvre /$rJessica Priebe --$g3.$tContinental porcelain made in England : the case of the Chelsea Porcelain Factory /$rMatthew Martin --$g4.$tPlanting cosmopolitan ideals : Thomas Jefferson's Poplar Forest /$rJennifer Milam --$g5.$tGrowing old in public in eighteenth-century France : Marie-Therese Geoffrin and Marie Leszczyn?ska /$rJessica L. Fripp --$g6.$tFrench funerary monuments of the ancien regime as the product of individual artistic solutions /$rWiebke Windorf --$g7.$tMeeting the locals : mythical images of the Indigenous Other in the eighteenth and nineteenth centuries /$rMelanie Cooper --$g8.$tInfernal machines : designing the bomb vessel as transnational technology /$rJennifer Ferng. 330 $a"This volume considers how ideas were made visible through the making of art and visual experiences occasioned by reception during the long eighteenth century. Contributors consider the approach taken by individual artists and the material formation of concepts in different contexts by asking new questions of artworks that are implicated by the need to see ideas in painted, sculpted, illustrated, designed, and built forms. The first four essays work with ideas about material objects and identity formation, while the last four essays address the intellectual work that can be expressed through or performed by objects. Making Ideas Visible in the Eighteenth Century thus introduces new visual materials and novel conceptual models into traditional accounts of the intellectual history of the Enlightenment."--Cover page 4. 410 0$aUniversity of Delaware Press studies in 17th- and 18th- century art and culture. 606 $aArt, Modern$y18th century 606 $aArt objects$xPsychological aspects 615 0$aArt, Modern 615 0$aArt objects$xPsychological aspects. 676 $a709.033 702 $aMilam$b Jennifer Dawn$f1968- 702 $aParsons$b Nicola$f1976- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910673926703321 996 $aMaking Ideas Visible in the Eighteenth Century$93090182 997 $aUNINA