LEADER 04221nam 22007335 450 001 9910672445103321 005 20251009102923.0 010 $a3-031-13662-4 024 7 $a10.1007/978-3-031-13662-7 035 $a(MiAaPQ)EBC7202874 035 $a(Au-PeEL)EBL7202874 035 $a(CKB)26154728800041 035 $a(DE-He213)978-3-031-13662-7 035 $a(EXLCZ)9926154728800041 100 $a20230214d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aShowing Time: Continuous Pictorial Narrative and the Adam and Eve Story $eIn Memory of Alberto Argenton /$fby Laura Messina-Argenton, Tiziano Agostini, Tamara Prest, Ian F. Verstegen 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2022. 215 $a1 online resource (411 pages) 311 08$aPrint version: Messina-Argenton, Laura Showing Time: Continuous Pictorial Narrative and the Adam and Eve Story Cham : Springer International Publishing AG,c2023 9783031136610 320 $aIncludes bibliographical references and index. 327 $aPart I . The Study -- Chapter 1. Pictorial Representation of Stories -- Chapter 2. A Study Project on Continuous Pictorial Narrative -- Chapter 3. First Research Phase on the Story of Adam and Eve -- Chapter 4. Second Research Phase on the Story of Adam and Eve -- Part II. Reference Materials of the Study -- Chapter 5. General Repertoire of Artworks of Pictorial Continuous Narrative -- Chapter 6. Images of the Story of Adam and Eve -- Chapter 7. Narrative Apparatus of the Story of Adam and Eve. 330 $aHow does a visual artist manage to narrate a story, which has a sequential and therefore temporal progression, using a static medium consisting solely of spatial sign elements and, what is more, in a single image? This is the question on which this work is based, posed by its designer, Alberto Argenton, to whose memory it is dedicated. The first explanation usually given by scholars in the field is that the artist solves the problem by depicting the same character in a number of scenes, thus giving indirect evidence of events taking place at different times. This book shows that artists, in addition to the repetition of characters, devise other spatial perceptual-representational strategies for organising the episodes that constitute a story and, therefore, showing time. Resorting to the psychology of art of a Gestalt matrix, the book offers ha formattato: Italiano (Italia) Codice campo modificato ha formattato: Italiano (Italia) ha formattato: Italiano (Italia) researchers, graduates,advanced undergraduates, and professionals a description of a large continuous pictorial narrative repertoire (1000 works) and an in-depth analysis of the perceptual-representational strategies employed by artists from the 6th to the 17th century in a group of 100 works narrating the story of Adam and Eve. 606 $aCognitive psychology 606 $aPsychology 606 $aAesthetics 606 $aColor 606 $aVision 606 $aArt$xHistory 606 $aPhilosophy of mind 606 $aCognitive Psychology 606 $aBehavioral Sciences and Psychology 606 $aPsychology of Aesthetics 606 $aVision and Colour Science 606 $aArt History 606 $aPhilosophy of Mind 615 0$aCognitive psychology. 615 0$aPsychology. 615 0$aAesthetics. 615 0$aColor. 615 0$aVision. 615 0$aArt$xHistory. 615 0$aPhilosophy of mind. 615 14$aCognitive Psychology. 615 24$aBehavioral Sciences and Psychology. 615 24$aPsychology of Aesthetics. 615 24$aVision and Colour Science. 615 24$aArt History. 615 24$aPhilosophy of Mind. 676 $a111.85 676 $a704.94820940902 700 $aMessina-Argenton$b Laura$01334182 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910672445103321 996 $aShowing Time: Continuous Pictorial Narrative and the Adam and Eve Story$94450626 997 $aUNINA