LEADER 02126nam 2200565 a 450 001 9910666431503321 005 20230120071426.0 010 $a1-283-95369-2 010 $a1-78042-721-2 035 $a(CKB)2670000000170716 035 $a(EBL)886908 035 $a(OCoLC)784886816 035 $a(SSID)ssj0000662312 035 $a(PQKBManifestationID)12301867 035 $a(PQKBTitleCode)TC0000662312 035 $a(PQKBWorkID)10714078 035 $a(PQKB)10761237 035 $a(MiAaPQ)EBC886908 035 $a(Au-PeEL)EBL886908 035 $a(CaPaEBR)ebr10649895 035 $a(CaONFJC)MIL426619 035 $a(PPN)197277756 035 $a(MiAaPQ)EBC5018439 035 $a(EXLCZ)992670000000170716 100 $a20130212d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$a[Mega square]$b[electronic resource] $iForbidden Asia /$f[Hans-Ju?rgen Do?pp] 210 $aNew York $cParkstone Press International$d[2012] 215 $a1 online resource (256 p.) 225 1 $aMega Square 300 $aIncludes index. 311 $a1-906981-44-2 327 $aMain Artists; Bound happiness - Chinese eroticism; Between the sublime and the grotesque - Japanese erotic engravings; Index 330 $aSince The Turkish Baths (1863) by the French painter Ingres, the Far Eastern woman has, to many, been a symbol of out of reach or forbidden pleasures. Seafaring explorers, military adventurers and simple travellers from Europe over the centuries have all been enthralled by the exotic nature of the Asian woman, her foreignness accentuated by the gentle pallor of her skin. Thus arose the myth that she, of all women, was in possession of the knowledge of certain refined pleasures. 410 0$aMega Square 606 $aErotic art$zAsia 615 0$aErotic art 676 $a704.9428095 700 $aDo?pp$b Hans-Ju?rgen$0872898 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910666431503321 996 $aMega square$92749768 997 $aUNINA