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200 10$aSex sounds $evectors of difference in electronic music /$fDanielle Shlomit Sofer
210  1$aCambridge, Massachusetts :$cMIT Press,$d2022.
215   $a1 online resource (299 pages) $cillustrations, music
311   $a0-262-04519-2 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- Part I: Electroacoustics of the Feminized Voice. Schaeffer and Henry's "Erotica" (1950-51) ; Annea Lockwood's Tiger Balm (1970) ; Luc Ferrari's Les Danses Organiques (1973) and Presque Rien avec Filles, For Dancer and Memorized Sound (1989) ; Robert Normandeau's Jeu De Langues (2009) ; Juliana Hodkinson's and Niels Ronsholdt's Fish and Fowl (2011-12) -- Part II. Electrosexual Disturbance. Donna Summer's "Love to Love You, Baby" (1975) ; Alice Shield's Apocalypse (1990-94) ; Annie Sprinkle's Sluts and Goddesses Video Workshop, Sound Score by Pauline Oliveros (1992) ; Barry Truax's Song of Songs (1992) ; TLC's "I'm Good at Being Bad" (1999) ; Janelle Monae's "It's Code" (2013) ; The Wobble Warp : Theesatisfaction's "Enchantruss" (2012), Janelle Monaes and Esperanza Spalding's "Dorothy Dandridge Eyes" (2013), and Stas thee Boss's "Before Anyone Else" (2017) - Conclusion.
330   $a"Music and sexuality seem to have been linked together since someone first beat out a rhythm on a drum. Making Sex Sound explores the intersection in the mid-20th century onward"--$cProvided by publisher.
606   $aElectronic music$xHistory and criticism
606   $aSex in music
610   $aMUSIC / Genres & Styles / Electronic
610   $aTECHNOLOGY & ENGINEERING / Acoustics & Sound
610   $aSOCIAL SCIENCE / Human Sexuality (see also PSYCHOLOGY / Human Sexuality)
615  0$aElectronic music$xHistory and criticism.
615  0$aSex in music.
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