LEADER 03176nam 2200409 450 001 9910647380003321 005 20230518165350.0 010 $a1-76046-493-7 035 $a(CKB)5850000000262545 035 $a(NjHacI)995850000000262545 035 $a(EXLCZ)995850000000262545 100 $a20230505d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLiving Art $eIndonesian Artists Engage Politics, Society and History /$fVirginia Hooker, Elly Kent, Caroline Turner 210 1$aCanberra :$cANU Press,$d2022. 215 $a1 online resource (400 pages) 225 1 $aAsian Studies Series 311 $a1-76046-492-9 330 $aLiving Art: Indonesian Artists Engage Politics, Society and History is inspired by the conviction of so many of Indonesia's Independence-era artists that there is continuing interaction between art and everyday life. In the 1970s, Sanento Yuliman, Indonesia's foremost art historian of the late twentieth century, further developed that concept, stating: 'New Indonesian Art cannot wholly be understood without locating it in the context of the larger framework of Indonesian society and culture' and the 'whole force of history'. The essays in this book accept Yuliman's challenge to analyse the intellectual, sociopolitical and historical landscape that Indonesia's artists inhabited from the 1930s into the first decades of the new millennium, including their responses to the COVID-19 pandemic. The inclusion of one of Yuliman's most influential essays, translated into English for the first time, offers those outside Indonesia an insight into a formative period in the generation of new art knowledge in Indonesia. The volume also features essays by T. K. Sabapathy, Jim Supangkat, Alia Swastika, Wulan Dirgantoro and FX Harsono, as well as the three editors (Elly Kent, Virginia Hooker and Caroline Turner). The book's contributors present recent research on issues rarely addressed in English-language texts on Indonesian art, including the inspirations and achievements of women artists despite social and political barriers; Islam- inspired art; artistic ideologies; the intergenerational effects of trauma; and the impacts of geopolitical change and global art worlds that emerged in the 1990s. The Epilogue introduces speculations from contemporary practitioners on what the future might hold for artists in Indonesia. Extensively illustrated, Living Art contributes to the acknowledgement and analysis of the diversity of Indonesia's contemporary art and offers new insights into Indonesian art history, as well as the contemporary art histories of Southeast Asia and Asia more generally. 410 0$aAsian Studies Series. 517 $aLiving Art 606 $aArts, Indonesian 615 0$aArts, Indonesian. 676 $a700.9598 700 $aHooker$b Virginia Matheson$f1946-$01076645 702 $aTurner$b Caroline 702 $aKent$b Elly 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910647380003321 996 $aLiving Art$93362195 997 $aUNINA