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024 8 $ahttps://doi.org/10.3167/9781782382263
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100   $a20220603i20132022  uu 
101 0 $aeng
135   $auru||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aScreening Nature : $eCinema Beyond the Human /$fAnat Pick, Guinevere Narraway
210   $cBerghahn Books$d2013
210  1$a[s.l.] :$cBerghahn Books,$d2013.
215   $a1 online resource
311 08$a9781800739413 
311 08$a1800739419 
330   $aEnvironmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed "posthuman cinema." It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. Screening Nature offers an extensive resource for teachers, undergraduate students, and more advanced scholars on the intersections between the natural world and the worlds of film. It emphasizes the cross-cultural and geographically diverse relevance of the topic of cinema ecology.
606   $aPerforming Arts / Film / History & Criticism$2bisacsh
606   $aSocial Science / Popular Culture$2bisacsh
606   $aPerforming arts
615  7$aPerforming Arts / Film / History & Criticism
615  7$aSocial Science / Popular Culture
615  0$aPerforming arts.
676   $a791.409
702   $aPick$b Anat
702   $aNarraway$b Guinevere
712 02$aKnowledge Unlatched$4fnd$4http://id.loc.gov/vocabulary/relators/fnd
801  0$bScCtBLL
801  1$bScCtBLL
906   $aBOOK
912   $a9910647377503321
996   $aScreening Nature$93012166
997   $aUNINA