LEADER 02640nam 2200661Ia 450 001 9910782134703321 005 20230617010822.0 010 $a1-281-86583-4 010 $a9786611865832 010 $a1-84816-120-4 035 $a(CKB)1000000000537723 035 $a(StDuBDS)AH24682540 035 $a(SSID)ssj0000145458 035 $a(PQKBManifestationID)11147609 035 $a(PQKBTitleCode)TC0000145458 035 $a(PQKBWorkID)10182044 035 $a(PQKB)11675159 035 $a(MiAaPQ)EBC1681430 035 $a(WSP)0000P318 035 $a(Au-PeEL)EBL1681430 035 $a(CaPaEBR)ebr10255930 035 $a(CaONFJC)MIL186583 035 $a(OCoLC)879025346 035 $a(EXLCZ)991000000000537723 100 $a20040519d2004 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aElimination practice$b[electronic resource] $esoftware tools and applications /$fDongming Wang 210 $aLondon $cImperial College Press ;$aSingapore ;$aRiver Edge, NJ $cDistributed by World Scientific$dc2004 215 $a1 online resource (viii, 222 p. ) $cill. (some col.) 300 $aOne CD-ROM in loose pocket inside item. 300 $aFormerly CIP.$5Uk 311 $a1-86094-438-8 320 $aIncludes bibliographical references (p. [207]-213) and index. 327 $aPolynomial Elimination at Work; The Epsilon Library; The CharSets Package; The TriSys and SiSys Modules; The GEOTHER Environment; Relevant Elimination Tools; Solving Polynomial Systems; Automated Theorem Proving and Discovering in Geometry; Symbolic Geometric Computation; Selected Problems in Computer Mathematics 330 $aPolynomial Elimination at Work; The Epsilon Library; The CharSets Package; The TriSys and SiSys Modules; The GEOTHER Environment; Relevant Elimination Tools; Solving Polynomial Systems; Automated Theorem Proving and Discovering in Geometry; Symbolic Geometric Computation; Selected Problems in Computer Mathematics 606 $aElimination 606 $aPolynomials 606 $aAlgebra$xData processing 606 $aComputer algorithms 606 $aDifferential equations, Nonlinear 615 0$aElimination. 615 0$aPolynomials. 615 0$aAlgebra$xData processing. 615 0$aComputer algorithms. 615 0$aDifferential equations, Nonlinear. 676 $a512.9420285 700 $aWang$b Dongming$0738655 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782134703321 996 $aElimination practice$93672076 997 $aUNINA LEADER 06039oam 2200853 c 450 001 9910647262503321 005 20260102090118.0 010 $a3-8309-9523-7 024 3 $a9783830995234 035 $a(CKB)5600000000454005 035 $a(NjHacI)995600000000454005 035 $a(Waxmann)9783830995234 035 $a(EXLCZ)995600000000454005 100 $a20260102d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aVisual Cultures of Africa /$fMary Clare Kidenda, Lize Kriel, Ernst Wagner 205 $a1st, New ed. 210 $aMünster$cWaxmann$d2022 215 $a1 Online-Ressource (255 Seiten) 311 08$a3-8309-4523-X 327 $aPreface Lize Kriel Introduction Visual cultures in Africa: Skills, knowledge, preservation and transfer as praxis Ebenezer Kwabena Acquah and Isaac Opoku-Mensah Stimulating visual cultural literacy. Akan symbolic forms in perspective Jane Otieno Socio-cultural aspects of traditional pottery production among Jonyuol Nyalo women group, Kisumu, Kenya Mary Clare Kidenda How Ber Neno creations in the Jua Kali sector use reflective practice for apprenticeship in product design Rashida Resario The visible and the invisible in the visual culture of the Ghana Dance Ensemble. Towards mimetic empathy Melisa Achoko Allela and Odoch Pido Digitising Lawino. Creating an expressive embodied conversational agent based on Okot p'Biteks' Song of Lawino Alexis Malefakis From "recycling art" to "reverse engineering". Skill research in the Ethnographic Museum Visual cultures of Africa: Collections, museums and exhibitions from conservation to conversation Stefan Eisenhofer "Fetish figures" (minkisi) from Central Africa and Catholic holy figures from Europe Mark Evans Émigrés and African art in England Njeri Gachihi, Frauke Gathof, Clara Himmelheber, Lydia Nafula, Leonie Neumann, Philemon Nyamanga, and Juma Ondeng' Visualizing the Kenyan collections in Western museums. An intercontinental dialogue Bea Lundt What about the "Castles" in Ghana? Material relics of colonialism and the slave trade: a disturbing and challenging visual legacy of three continents Benjamin Merten Concrete Limbo. A trans-continental dialogue on space and responsibility African visual expression in materials and media appropriated from encounters with the West Esther Kute and Odoch Pido The shoes on my feet. A visual culture of footwear in Africa Lize Kriel Book cover design and the visual culture of land and ancestors. The case of Botlale Tema's Welgeval, Pilanesberg, South Africa Lydia Muthuma and Fred Mbogo The film Softie and the Kenyan imaginary Amanda du Preez The right to be seen and to look. Selfies # FeesMustFall and # endSARS Contemporary Art: African praxis as conversation with its past and with the world Ernst Wagner and Sokari Douglas Camp In-Between. A conversation between Sokari Douglas Camp and Ernst Wagner Runette Kruger Strategies of co-liberation and belonging in the work of South African artists Titus Matiyane and Candice Breitz Avitha Sooful Breaking traditional rules. Artmaking practices of Muelwa Noria Mabasa and Mmakgabo Helen Sebidi Paul-Henri Souvenir Assako Assako Visual culture and conflicts of representation in contemporary art in Cameroon Angelika Boeck Africanisation of the European - vulnerability and de-colonisation Ronnie Watt Reading South African ceramics as narratives of entanglement and constructed alterity Authors 330 $aThe voices in this book offer a multi-perspectival approach to Africa, focusing on the skills and the knowledge underpinning visual cultural expressions ranging from Akan symbolism to embodied performances by dancers and storytellers, even re-designed models of Western cars. Educators, designers, artists, critics, curators, and custodians based both in Africa and in Europe are configuring spaces for public, private, institutional as well as digital conversation ? whether through pottery or portraiture, furniture or film, shoes or selfies, buildings or books. Readers are encouraged to question how African visual cultures are both ?in? and ?of?; identifying and confrontational; post- and decolonial; preserved and practised; old and new; borrowed and authentic; composite and complete; rooted and soaring. Disciplines being engaged include visual culture studies, media studies, performance studies, orature, literature, art and design ? as well as their histories. The editors Mary Clare Kidenda, Lize Kriel and Ernst Wagner represent three nodes in the Exploring Visual Cultures north-south collaborative network: The Technical University of Kenya, the University of Pretoria in South Africa and Munich Academy of Fine Arts in Germany. 606 $acultural literacy 606 $apottery 606 $adesign 606 $aethnography 606 $aKenya 606 $aGhana 606 $aclothes 606 $afilm 606 $asculpture 606 $aliberation 606 $acontemporary art 606 $aVolkskunst 606 $aAfrica 606 $aculture 606 $aart 606 $aAfrika 606 $aKultur 606 $aKunst 606 $aarts education 615 4$acultural literacy 615 4$apottery 615 4$adesign 615 4$aethnography 615 4$aKenya 615 4$aGhana 615 4$aclothes 615 4$afilm 615 4$asculpture 615 4$aliberation 615 4$acontemporary art 615 4$aVolkskunst 615 4$aAfrica 615 4$aculture 615 4$aart 615 4$aAfrika 615 4$aKultur 615 4$aKunst 615 4$aarts education 676 $a730 702 $aKidenda$b Mary Clare$4edt 702 $aKriel$b Lize$4edt 702 $aWagner$b Ernst$4edt 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910647262503321 996 $aVisual Cultures of Africa$93017094 997 $aUNINA