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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aSound actions $econceptualizing musical instruments /$fAlexander Refsum Jensenius
205   $a1st ed.
210  1$aCambridge :$cThe MIT Press,$d2022.
215   $a1 online resource (267 pages)
311   $a0-262-54463-6 
327   $aAcknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177 -- Acknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177.
330   $a"This is a theoretical music technology book, influenced by new research in embodied music cognition. The main focus is on musical instruments and how they shape our experiences of music"--$cProvided by publisher.
606   $aMusic$xPerformance$xPsychological aspects
606   $aMusic$xPsychological aspects
606   $aMusical instruments
606   $aMusical perception
610   $aMUSIC / History & Criticism
610   $aMUSIC / Instruction & Study / Theory
610   $aTECHNOLOGY & ENGINEERING / Acoustics & Sound
615  0$aMusic$xPerformance$xPsychological aspects.
615  0$aMusic$xPsychological aspects.
615  0$aMusical instruments.
615  0$aMusical perception.
676   $a781.1/1
700   $aJensenius$b Alexander Refsum$01279260
801  0$bOCoLC-P
801  1$bOCoLC-P
906   $aBOOK
912   $a9910647208203321
996   $aSound Actions$93014968
997   $aUNINA