LEADER 02091nam 2200433 450 001 9910496003703321 005 20150709094506.0 010 $a2-8218-2666-4 024 7 $a10.4000/books.ifea.1066 035 $a(CKB)4340000000013357 035 $a(WaSeSS)IndRDA00044169 035 $a(FrMaCLE)OB-ifea-1066 035 $a(PPN)182825426 035 $a(EXLCZ)994340000000013357 100 $a20150709d1995 || | 101 0 $aspa 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 13$aLa cocina piurana $eensayo de antropologi?a de la alimentacio?n /$fAnne-Marie Hocquenghem, Susana Monzon 210 1$aLima, Peru :$cInstitut franc?ais d'e?tudes andines, CNRS, IEP ediciones,$d1995. 215 $a1 online resource (196 pages) 225 1 $aTravaux de l'IFE?A 311 $a84-89302-23-5 320 $aIncludes bibliographical references and index. 330 $aLa Cocina Piurana presenta un inventario de 315 recetas recogidas en el extremo norte del Perú. Precede esta compilación, un estudio de los procedimientos -gestos y útiles- que intervienen en la preparación culinaria campesina que es la que mejor ha preservado las técnicas tradicionales. Este ensayo, que se integra dentro de lo que hoy se llama Antropología de la Alimentación, presenta igualmente más de 80 fotografías inéditas. Las autoras, Anne Marie Hocquenghem y Susana Monzon, investigadoras del Centro Nacional de Investigaciones Científicas (CNRS) de Paris, estudian, desde 1986, en el marco del Programa Internacional de Cooperación Científica (PICS 125), la historia de la región de Piura. 410 0$aTravaux de l'Institut franc?ais d'e?tudes andines. 606 $aCooking, Peruvian 607 $aPeru$xSocial life and customs 615 0$aCooking, Peruvian. 700 $aHocquenghem$b Anne-Marie$01233488 702 $aMonzon$b S. 801 0$bWaSeSS 801 1$bWaSeSS 906 $aBOOK 912 $a9910496003703321 996 $aLa cocina piurana$92866116 997 $aUNINA LEADER 01574nam2 22003613i 450 001 FER0101404 005 20231121125502.0 100 $a20120407d1976 ||||0itac50 ba 101 | $alat$afre 102 $afr 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 0 $a2: Livres 2. et 3.$fQuintilien$gtexte établi et traduit par Jean Cousin 210 $aParis$cLes belles lettres$d1976 215 $a281 p. (27-225 doppie)$d21 cm 300 $aTrad. francese a fronte. 461 1$1001TO00066751$12001 $aInstitution oratoire$fQuintilien$gtexte établi et traduit par Jean Cousin$v2 700 1$aQuintilianus$b, Marcus Fabius$3CFIV037714$0171261 702 1$aCousin$b, Jean$3TO0V037921 790 0$aQuintiliano$3CFIV090043$zQuintilianus, Marcus Fabius 790 1$aQuintilliano$b, M. Fabio$3CFIV134813$zQuintilianus, Marcus Fabius 790 1$aQuintiliano$b, Marco Fabio$3CFIV167924$zQuintilianus, Marcus Fabius 790 0$aQuintilian$3CFIV332618$zQuintilianus, Marcus Fabius 790 0$aQuintilien$3LO1V136715$zQuintilianus, Marcus Fabius 801 3$aIT$bIT-01$c20120407 850 $aIT-FR0084 $aIT-FR0017 899 $aBiblioteca Del Monumento Nazionale Di Montecassino$bFR0084 899 $aBiblioteca umanistica Giorgio Aprea$bFR0017 $eN 912 $aFER0101404 950 2$aBiblioteca umanistica Giorgio Aprea$d 52BLL Quint.Inst.Or. 1.2$e 52MAG0000048825 VMB RS $fA $h20190322$i20190322 977 $a 25$a 52 996 $a2: Livres 2. et 3$93606801 997 $aUNICAS LEADER 02754oam 22005652 450 001 9910647208203321 005 20220711013202.0 010 $a0-262-37221-5 010 $a0-262-37220-7 035 $a(CKB)5680000000039171 035 $a(MiAaPQ)EBC30171888 035 $a(Au-PeEL)EBL30171888 035 $a(OCoLC)1352969702 035 $a(NjHacI)995680000000039171 035 $a(OCoLC)1311408264 035 $a(OCoLC-P)1311408264 035 $a(MaCbMITP)14220 035 $a(oapen)doab96981 035 $a(EXLCZ)995680000000039171 100 $a20211222d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSound actions $econceptualizing musical instruments /$fAlexander Refsum Jensenius 205 $a1st ed. 210 $aCambridge$cThe MIT Press$d2022 210 1$aCambridge :$cThe MIT Press,$d2022. 215 $a1 online resource (267 pages) 225 1 $aThe MIT Press 311 08$a0-262-54463-6 327 $aAcknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177 -- Acknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177. 330 $a"This is a theoretical music technology book, influenced by new research in embodied music cognition. The main focus is on musical instruments and how they shape our experiences of music"--$cProvided by publisher. 606 $aMusic$xPerformance$xPsychological aspects 606 $aMusic$xPsychological aspects 606 $aMusical instruments 606 $aMusical perception 615 0$aMusic$xPerformance$xPsychological aspects. 615 0$aMusic$xPsychological aspects. 615 0$aMusical instruments. 615 0$aMusical perception. 676 $a781.1/1 700 $aJensenius$b Alexander Refsum$01279260 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910647208203321 996 $aSound Actions$93014968 997 $aUNINA