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200 1 $aThrough pediatrics to psycho-analysis$fby D. W. Winnicott$gwith an introduction by M. Masud R. Khan
210   $aLondon ; New York$cRoutledge$d2018
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200 10$aVisual digital culture $esurface play and spectacle in new media genres /$fAndrew Darley
205   $a1st ed.
210   $aLondon ;$aNew York $cRoutledge$d2000
215   $a1 online resource (241 p.)
225 1 $aSussex studies in culture and communication
300   $aDescription based upon print version of record.
311 08$a0-415-16555-5 
311 08$a0-415-16554-7 
320   $aIncludes bibliographical references (p. 207-215) and index.
327   $aBook Cover; Title; Contents; List of illustrations; Acknowledgements; Introduction; History; A back story: realism, simulation, interaction; Genealogy and tradition: mechanised spectacle as popular entertainment; Shaping tradition: the contemporary context; Aesthetics; Simulation and hyperrealism: computer animation and TV advertisements; The waning of narrative: new spectacle cinema and music video; The digital image in 'the age of the signifier'; Spectators; Games and rides: surfing the image; Surface play and spaces of consumption; Active spectators?; Exhibiting spectacle (and style)
327   $aConclusionNotes; Bibliography; Author index; Subject index
330   $aDigital entertainment, from video games to simulation rides, is now a central feature of popular culture. Computer-based or digital technologies are supplanting the traditional production methods of television, film and video, provoking intense speculation about their impact on the character of art. Examining the digital imaging techniques across a wide range of media, including film, music video, computer games, theme parks and simulation rides, Visual Digital Culture explores the relationship between evolving digital technologies and existing media and considers the effect of these
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606   $aVideo games$xSocial aspects
606   $aVideo recordings$xSocial aspects
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615  0$aVideo games$xSocial aspects.
615  0$aVideo recordings$xSocial aspects.
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