LEADER 02346nam 2200385 450 001 9910645946103321 005 20230509174607.0 035 $a(CKB)5860000000285464 035 $a(NjHacI)995860000000285464 035 $a(EXLCZ)995860000000285464 100 $a20230509d2023 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMapping the Sensible $edistribution, inscription, cinematic thinking /$fErica Carter, Bettina Malcomess, Eileen Rositzka 210 1$aBerlin ;$aBoston :$cWalter de Gruyter GmbH,$d2023. 215 $a1 online resource (x, 155 pages) $cillustrations, maps 225 1 $aCinepoetics essay ;$vvolume 3 311 $a3-11-076905-0 330 $aIn academic and public discourse, 'mapping' has become a ubiquitous term for epistemic practices ranging from surveys of scholarly fields to processes of data collection, ordering and visualization. Mapping captures patterns of distribution, segregation and hierarchy across socio-cultural spaces and geographical territories. Often lost in such accounts, however, is the experiential dimension of mapping as an aesthetic practice with determinate social, cultural and political effects. This volume draws on approaches from film philosophy, media archaeology, decolonial scholarship and independent film practice to explore mapping as a mediated experience in which film becomes entangled in larger processes of historical subject-formation, as well as in dissident reconfigurations of cultural memory. Proposing an approach to mapping through decolonial aesthetics and poetic thinking, the three essays in this volume help define a film studies perspective on mapping as a practice that structures political and aesthetic regimes, organizes and communicates shared realities, but also enables dissenting reconfigurations of concretely experienced worlds. 410 0$aCinepoetics. 606 $aMotion pictures$xPhilosophy 615 0$aMotion pictures$xPhilosophy. 676 $a791.4301 700 $aCarter$b Erica$01271597 702 $aMalcomess$b Bettina 702 $aRositzka$b Eileen 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910645946103321 996 $aMapping the Sensible$92995549 997 $aUNINA