LEADER 04258oam 2200829 c 450 001 9910642295503321 005 20260102090118.0 010 $a9783839452462 010 $a3839452465 024 3 $a9783839452462 035 $a(CKB)4100000012050139 035 $a(MiAaPQ)EBC6742510 035 $a(Au-PeEL)EBL6742510 035 $a(OCoLC)1273979916 035 $a(transcript Verlag)9783839452462 035 $a(DE-B1597)566294 035 $a(DE-B1597)9783839452462 035 $a(OCoLC)1280942721 035 $a(ScCtBLL)bd856e4e-c055-4dac-9b37-4c2f302164cf 035 $a(EXLCZ)994100000012050139 100 $a20260102d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aImages on the Move$eMateriality ? Networks ? Formats$fOlga Moskatova 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2021 215 $a1 online resource (289 pages) 225 0 $aEdition Medienwissenschaft 311 08$a9783837652468 311 08$a3837652467 327 $aFrontmatter 1 Contents 5 1. Introduction: Trajectories of Images 7 2. Greetings from Chicago: Image Networks and Infrastructures of Postcard Production and Circulation 31 3. Techniques of Transmission: Wire Service Photography and the Digital Image 53 4. Calm Images: The Invisible Visual Culture of Digital Image Distribution 73 5. Unmoving Bodies: In-Flight Entertainment, Infrastructural Images and Cultural Techniques of Sitting 87 6. Cartes-de-Visite, Miniaturization and the Materiality of Circulation 109 7. Grainy Days and Mondays: Superstar and Bootleg Aesthetics 135 8. What Makes a Download a Stream? 155 9. What Moves? The Itineraries of Pre-Digital Photography 189 10. Moved by Rubens: The Double Logic of Image Perception in the Age of Mechanical Reproduction (1877-1977) 209 11. Follow the Films. Reuses of a Research Film: Biography, Recycling, Whitewashing, Appropriation and Palimpsesting 231 12. Extraterrestrial Images 259 List of Illustrations 279 Contributors 283 330 $aIn contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. The contributors provide a materialist account of images on the move ? ranging from wired photography to postcards to streaming media. 330 1 $a»Alle elf versammelten Beiträge sowie das Vorwort der Herausgeberin sind lesenswert.« 410 0$aEdition Medienwissenschaft 517 2 $aMoskatova (ed.), Images on the Move$eMateriality ? Networks ? Formats 606 $aMedia 606 $aImages 606 $aMobility 606 $aCirculation 606 $aNetworks 606 $aImage 606 $aPhotography 606 $aMedia History 606 $aAnalogue Media 606 $aDigital Media 606 $aVisual Studies 606 $aMedia Studies 610 00$aMedia; Images; Mobility; Circulation; Networks; Image; Photography; Media History; Analogue Media; Digital Media; Visual Studies; Media Studies; 615 4$aMedia 615 4$aImages 615 4$aMobility 615 4$aCirculation 615 4$aNetworks 615 4$aImage 615 4$aPhotography 615 4$aMedia History 615 4$aAnalogue Media 615 4$aDigital Media 615 4$aVisual Studies 615 4$aMedia Studies 676 $a302.231 702 $aMoskatova$b Olga$p

Olga Moskatova, Hochschule für Gestaltung Offenbach am Main, Deutschland

$4edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910642295503321 996 $aImages on the move$93008772 997 $aUNINA